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The debate on the origins of modern gender norms continues unabated across the academic disciplines. This book adds an important and hitherto neglected dimension. Focusing on rural life and its values, the author argues that the modern ideal of separate spheres originated in the era of the Enlightenment. Prior to the eighteenth century, cultural norms prescribed active, interdependent economic roles for both women and men. Enlightenment economists transformed these gender paradigms as they postulated a market exchange system directed exclusively by men. By the early nineteenth century, the emerging bourgeois value system affirmed the new civil society and the market place as exclusively male...
By the end of the First World War, women's labor was viewed by contemporary observers as fundamental to the survival of family farms in Germany and consequently to the nation's economic and social stability. At the same time, however, the overburdening of farm women sparked increasingly acrimonious conflicts between young hired women, or Mägde, their employers, and state officials. The progressive feminization of agricultural work in Germany during the prewar decades and attempts after the war to prevent young women's flight from family farms is the focus of this new study. Concentrating principally on developments in the Kingdom, later the Freestate, of Saxony, the author highlights the wa...
The first cultural and political history of German Freemasonry in the 19th and early 20th centuries
Whilst E.T.A. Hoffmann (1776-1822) is most widely known as the author of fantastic tales, he was also prolific as a music critic, productive as a composer, and active as a conductor. This book examines Hoffmann's aesthetic thought within the broader context of the history of ideas of the late-eighteenth and early-nineteenth centuries, and explores the relationship between his musical aesthetics and compositional practice. The first three chapters consider his ideas about creativity and aesthetic appreciation in relation to the thought of other German romantic theorists, discussing the central tenets of his musical aesthetic - the idea of a 'religion of art', of the composer as a 'genius', an...
Friedrich Schleiermacher (1768-1834) is best known as the 'father of liberal Protestant theology,' largely on the strength of his massive work of systematic theology, 'The Christian Faith'. Here, Dole presents a new account of Schleiermacher's theory of religion.
"A brilliant and unfailingly provocative reading of Beethoven's music. Rumph challenges and refines our views of the subject, reinterpreting overly familiar music in striking new ways. Wonderful critical and interpretive observations abound; the author writes with great imagination and flair."—Scott Burnham, author of Beethoven Hero "Rumph shows at last the extent to which Beethoven's late period, the period of his most spiritual and 'inward' music, was a response to political change. In effect his book is an extended retort to E. T. A. Hoffmann's two-centuries-old claim that Beethoven's kingdom was not of this world—and it's about time! Rumph's argument will be resisted by Hoffmann's many heirs; but it is most compelling, not least because it answers so many long-standing questions about 'the music itself' and clears up so many misconceptions about the nature of musical romanticism."—Richard Taruskin, Class of 1955 Professor of Music, University of California, Berkeley
Publisher description
To examine the long-run origins of democracy and dictatorship, Brian Downing focuses on the importance of medieval political configurations and of military modernization in the early modern period. He maintains that in late medieval times an array of constitutional arrangements distinguished Western Europe from other parts of the world and predisposed it toward liberal democracy. He then looks at how medieval constitutionalism was affected by the "military revolution" of the early modern era--the shift from small, decentralized feudal levies to large standing armies. Downing won the American Political Science Association's Gabriel Almond Award for the dissertation on which this book was based.
This book is the first comprehensive interpretation of the political and international thought of one of the greatest German political writers of the eighteenth-century, Johann Heinrich Gottlob von Justi (1717-1771). By revisiting his conceptions of natural law, happiness, the state, universal monarchy, the balance of power and international order the study reveals a much more original and diverse thinker than has previously been assumed. Building on ideas of a passionate human nature, Justi effected a passage from natural law to political economy that took into account the development of commercialism. The book firmly situates Justi in the German Enlightenment, and the German Enlightenment in a broader European context.