You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
There's great interest at present in Virginia/Vanessa, because of the success of the novel and film 'The Hours', and Marion Dell and Marion Whybrow have much to say that will both satisfy and feed that interest. The theme of their book, that the two sisters, and particularly Virginia, were influenced all their lives by their St Ives childhood, is persuasive. The background picture of the place and their parents and family makes appealing reading. The authors' depiction of character and scene is enhanced by extracts from the sisters' early newspaper, family photographs and letters, diaries and memoirs as well as from Virginia's fiction, all of which combine to bring us into the heart of their...
None
Virginia Woolf and her sister Vanessa Bell are perhaps the best-known female icons of English art in the early twentieth century. Marion Whybrow provides a valuable insight into the family life of the Stephen sisters, and into St Ives itself, a fishing port and artists' colony on 'the toe-nail of England'.
Edited collection from acclaimed contemporary Woolf scholars, linking inter- and multidisciplinary scholarship to the intellectual and creative projects of Virginia Woolf and her modernist peers.
In Learning Outside the Primary Classroom, the educationalist and writer Fred Sedgwick explores in a practical way the many opportunities for intense learning that children and teachers can find outside the confines of the usual learning environment, the classroom.
The interwoven biographies of Virginia Woolf and Vanessa Bell and the houses they lived in. What can we learn from a commemorative house? What biographical narratives emerge as we travel through the spaces of another's home? This new study unveils the revelatory potential of the house museum to inform and enrich our understanding of the lived past of its former inhabitants. It focuses on the emotionally textured interiors of Charleston and Monk's House, the literary/artistic house museums of Virginia Woolf and Vanessa Bell, seeking out traces of their shared biography.Fresh perspectives unfold on Woolf's and Bell's' sisterhood and their continuous artistic exchange, as we shadow their daily lives through the richly painted rooms and atmospheric gardens of their former Sussex homes. Discover these celebrated artists in a different light - animated, moving, handling the tools of their related arts and brought vividly to life through the tangible fabric of their past living.
A Life with Colour is the first complete survey of Gerard Wagner’s biography and his artistic intentions, featuring dozens of illustrations and more than 120 colour plates. The life and work of Gerard Wagner (1906-1999) were closely aligned to the artistic-spiritual stream connected with the Goetheanum in Dornach, Switzerland. He first heard of the Goetheanum – and of its destruction by fire at New Year 1922/23 – whilst still a youth. In 1926, he made his first visit to Dornach, but his intended stay of a week turned into a lifelong sojourn of over 73 years. He found there an active, striving community with which he felt intimately connected. From the start, Gerard Wagner immersed hims...
Leading critics from Britain, Canada, and the US examine modernism's imaginative rethinkings of sex, gender, and sexuality. Original essays show how modernism intersects with the suffragette movement, technological change and its effects on women and labor, the growth of pseudo-scientific writings, and the burgeoning lesbian and gay movement. They show how modernism upsets the fixities of gender and sexuality through its fascination with ambiguities, marginality, and the crossing of borders. Sex reformers and sex changers, unsexed storytellers, typewriters, femme and butch experimenters, suffragettes in wide-brimmed hats, musical and dramatic pageants, adolescent delinquents, sunbathers, and dancing indigenes all play a role in the heterodox and varied modernism revealed in these essays.
A comprehensive, full-colour publication of the works of Robert Borlase Smart (1881-1947).Was Borlase Smart pushing the boundaries of what was accepted as the 'norm' within the definitions of traditional art? The fact that he was a great supporter of the young 'moderns' in St Ives, much to the chagrin of many established artists of the day, is well documented. Traditional art had long been underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. His journey towards abstraction was not a sudden, radical one, but more a subtle movement to a 'modern' style in which he found his forté, a style which was eagerly accepted by the mainstream, exhibited at the Paris Salon, the Royal Academy and countless other prestigious institutions.