You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Esse conjunto de ensaios acadêmicos (ou nem tanto) foi inspirado no programa debaRtendo, que tem o objetivo de popularizar a linguística aplicada e levar para dentro da academia questões da vida que nem sempre adentram os muros da ciência. Tensionando a distância entre as teorias e as práticas, os textos que aqui se encontram são diálogos com diversos episódios do debaRtendo nos quais alunas-es-os de pós-graduação de 3 IES brasileiras problematizam o cotidiano à luz da ciência.
This work, one of the most lucidly written art history books in recent memory, addresses a topic of inherent complexity and great recent interest. Kemp (Univ. of St. Andrews), who has written on Leonardo, discusses perspective and optic theories as they related to the central problem of European painting for half a millennium, the verisimilar depiction of nature. The first part of the book discusses perspective theory and practice and the use of devices that led toward photography. In the second part, Kemp explores optic theories derived from Aristotle and from Newton and their theoretical and practical impacts on painting. The only minor cavil is the unclear order of the select bibliography; otherwise, this is a superb and thoughtful book, with a level of writing to which few can aspire. Highly recommended for general as well as special collections.-- Jack Perry Brown, Ryerson & Burnham Libs . , Art Inst. of Chicago.
Why does the CIA praise graffiti as a colourful symbol of the optimism and hope of the Western World while officials in many cities describe the same phenomenon as a criminal activity and a representation of unsafety and social problems? Graffiti is a word used to denote a complex system of actions and things, which is often described as a singular phenomenon. The G-Word visualises how different institutions, public and commercial interests have acted to influence and affect the understanding of graffiti as both art, crime and a broad socio-cultural phenomenon.
Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary?and interspecies?collaborations. She coined the term ?material ecology? to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature. Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman?s work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science.0Th...
A lingua franca perspective into English language teaching in Brazil has only recently take flight. As an emerging economy, the country faces enormous challenges when it comes to language education in schools, where English has traditionally been taught as a foreign language. This collection brings the perspectives of academics and language practitioners in their efforts to incorporate an ELF approach into teacher education, thus offering a voice sorely missed in the international community interested in developing new approaches to English in a global world.
In Theopoetry of the Psalms Cas J.A. Vos explores the beauty of the Psalms and examines their meaning within the context of exegesis, homiletics and poetry. By investigating the structure, literary genre, history and theology of the Psalms he traces the ways in which they continue to be relevant to contemporary readers and to modern worship. Vos scrutinizes the Psalms as a volume of poetry and a work of art; considers hermeneutical approaches and difficulties, providing not only a verse-by-verse analysis but also a contextual history; outlines a comprehensive homiletic theory for preaching the Psalms; and concludes with a study of the Psalms in liturgy. Theopoetry of the Psalms is valuable to those Biblical scholars who wish to explore the theological and exegetical interpretation of the Psalms as well as to those readers who are interested in liturgics and practical theology for preaching and worship.
In the past few decades, individuals have experienced dramatic changes in some of the most established dimensions of human life: time, space, matter, and individuality. Minds today must be able to synthesize such transformations, whether they are working across several time zones, travelling between satellite maps and nanoscale images, drowning in information, or acting fast in order to preserve some slow downtime. Design and the Elastic Mind focuses on designers ability to grasp momentous advances in technology, science and social mores and convert them into useful objects and systems. The projects included range from nanodevices to vehicles, appliances to interfaces and building facades, pragmatic solutions for everyday use to provocative ideas meant to influence our future choices. Designed by award-winning book designer Irma Boom, this volume also features essays by Paola Antonelli; design critic and historian Hugh Aldersey- Williams; visualization design expert Peter Hall; and nanophysicist Ted Sargent that further explore the promising relationship between design and science.
We are told our lives are too fast, subject to the accelerating demand that we innovate more, work more, enjoy more, produce more, and consume more. That’s one familiar story. Another, stranger, story is told here: of those who think we haven’t gone fast enough. Instead of rejecting the increasing tempo of capitalist production they argue that we should embrace and accelerate it. Rejecting this conclusion, /Malign Velocities/ tracks this 'accelerationism' as the symptom of the misery and pain of labour under capitalism. Retracing a series of historical moments of accelerationism - the Italian Futurism; communist accelerationism after the Russian Revolution; the 'cyberpunk phuturism' of the ’90s and ’00s; the unconscious fantasies of our integration with machines; the apocalyptic accelerationism of the post-2008 moment of crisis; and the terminal moment of negative accelerationism - suggests the pleasures and pains of speed signal the need to disengage, negate, and develop a new politics that truly challenges the supposed pleasures of speed.
Originally published 1987. The first part of the volume is concerned with "The Roots of the Islamic Tradition and Spirituality". These are seen to include the Qu’ran as the central theophany of Islam, the Prophet who received the word of God and made it known to mankind and the rites of Islam. The second part examines the divisions of the Islamic community with their distinctive pieties and emphases: Sunnism and Shi’ism and female spirituality. Part III is devoted to Sufism – its nature and origin, its early development, its various spiritual practices and its science of the soul.
An apparently contradictory yet radically urgent collection of texts tracing the genealogy of a controversial current in contemporary philosophy. Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies. #Accelerate presents a genealogy of accelerationism, tracking the impulse through 90s UK darkside cyberculture and the theory-fictions of Nick Land, Sadie Plant, Iain Grant, and CCRU, across the cultural underground of the 80s (rave, acid house, SF cinema) and back to it...