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The Image of Modern Man in T. S. Eliot's Poetry The book , presents an original understanding of The Image of Modern Man in T. S. Eliots complex and difficult poems in an easy and understandable way. Eliots vision of the Modern Man and the modern world is depicted throughout Eliots most well-known poems. Eliot was criticized by some critics for the quality of his work. The aim of this book is to show what an excellent and successful writer he is, to reveal the value and the contemporaneity of his work. His poetry is highly evaluated for its unique way of depicting the Modern humanity by realizing their problems as well as finding solutions for them. The book is a great help not only for stud...
Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry examines representations of philosophical discourses in Modernist women's writing. Philosophers argued in the early twentieth century for an understanding of the self as both corporeal and relational, shaped and reshaped by interactions within a community. The once clear distinction between self and other was increasingly called into question. This breakdown of boundaries between self and world often manifested in the style of early twentieth-century literary works. Modernist poetry, like stream of consciousness fiction, used metaphor, sound, and a revision of received grammatical structures to blur the boun...
This edited book is the work of four years where the writers try to present a different study and understanding of some of T. S. Eliots poetry and his unique style of being a modern poet, not exactly like the other modernist poets such as Ralph Waldo Emerson. We have found that Eliot, in his poetry and prose writings, was a modernist writer who, unlike other modernist poets, did not accept the way others rejected the values of religion and tradition. Eliot focuses more on the role of religion and tradition in the psychological state of the individual and its impact upon the social stability. His viewpoint regarding the vital role of spirituality in the life of the individual could be clearly seen in his poetic poems and prose writings, but this aspect has been too little or not tackled as it is done with Homer.
Athens is an emblematic city, a place of significance. It is memory embodied in a multi-layered topos, a place of ruins with the Parthenon as its headpiece. The routes one may follow in the city are numerous and the story one may narrate changes with each turn one takes. This book acknowledges this and offers the option of the poetic word creating narratives that travel through the city of today but also cut into the city’s past touching on various of its corners and opening up to the reader the city’s microcosm yesterday and today. Through this itinerary, the city becomes emblematic of the macrocosm surrounding both this city and others like it. This book includes the first translation ...
This book is the work of six years. The gap between literature and language is to some extent removed. Each of the two will serve each other. The book's value lies in its focus on literary stylistics. Katie is right when she says "most stylistics is not simply to describe the formal features of texts for their own sake, but in order to show their functional significance for the interpretation of the text; or in order to relate literary effects to linguistic 'causes' where these are felt to be relevant." In recent years a special focus has been on learning English as a second language and pedagogy of English Language in EFL/ESL classrooms. To learn any language easily, it is usually through its literature and culture. So, English Language is not an exception. This book contains several critical essays on the pedagogy of English Language to EFL/ ESL. There is a tendency by stylisticians of literature to analyse and explain the part of the writer and the style of the manuscript in its literariness like editing the manuscript.
A collection of essays that explore issues in Chinua Achebe's work Things fall apart.
Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a “night journey” taken by Muhammad. Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur’an and of Islamic philosophy and science in Dante’s day and explores the bases for Dante’s images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians.
This outstanding anthology traces major critical statements from classic theorists like Plato to the contemporary. This standard historical textbook in the field focuses on important individual thinkers, and not particular schools of thought or isms. Current selections bring the anthology into contemporary times and show students how critical theory has evolved and progressed over time.
By synthesizing Kayser's and Bakhtin's views of the grotesque and Heidegger's philosophy of Being, American Fiction and the Metaphysics of the Grotesque seeks to demonstrate that American fiction from Poe to Pynchon has tried to convey the existential dimension: the pre-individual totality or flow of life, which defines itself against the mind and its linguistic capacity. Dieter Meindl shows how the grotesque, through its self-contradictory nature, has been instrumental in expressing this reality-conception, an antirationalist stance in basic agreement with existential thought. The historical validity of this new metaphysics, which grants precedence to Being--the context of cognition--over t...
T. S. Eliot is not only one of the most important poets of the twentieth century; as literary critic and commentator on culture and society, his writing continues to be profoundly influential. Every student of English must engage with his writing to understand the course of modern literature. This book provides the perfect introduction to key aspects of Eliot's life and work, as well as to the wider contexts of modernism in which he wrote. John Xiros Cooper explains how Eliot was influenced by the intellectual climate of both twentieth-century Britain and America, and how he became a key cultural figure on both sides of the Atlantic. The continuing controversies surrounding his writing and his thought are also addressed. With a useful guide to further reading, this is the most informative and accessible introduction to T. S. Eliot.