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Georgia O'Keeffe
Georgia O'Keeffe's extraordinary still-life paintings - of apples, leaves, flowers, shells, trees, rocks, crosses, bones, and doors - reinvented the genre through a new language of color and form that synthesized Eastern thought and a Western style of painting. This book is the first in-depth exploration of O'Keeffe's unique contribution to still-life painting.
Georgia O'Keeffe Visions of the Sublime
Even in her earliest works, Georgia O'Keeffe was a visionary who intuitively created her own definitions of the sublime, enhanced the perception of its visual symbols, and provided new ways to view the surrounding environment and explore one's inner self. Over the past two centuries, the concept of the sublime has been substantially redefined by a small number of artists, writers, and critics. For O'Keeffe, already imbued with the spiritual and transcendental, the sublime was not a theoretical concept; it was manifest in her everyday worldly experiences. Although most of O'Keeffe's works are landscapes, the sublime, for her, was not necessarily associated with a physical location. As only few others have, O'Keeffe demonstrated an intuitive association with all that can be considered sublime, and in her remarkable journey with color, line, light, and form, from the abstract to the representational, she pursued a spiritual quest that has dramatically refined the visual qualities of the sublime.
Georgia O'Keeffe
Georgia OKeeffe (18871986) was a major figure in American art for seven decades. Throughout that long and prolific career she remained true to her unique artistic vision, creating a highly individual style that synthesized the formal language of modern European abstraction and the themes of traditional American pictorialism. The main subjects to which she returned again and again were the flowers, animal bones and the landscapes around her studios in Lake George, New York, and finally New Mexico, with which she has been ultimately identified. This comprehensive and illuminating book by a noted scholar on OKeeffe and her work, surveys the complete oeuvre drawings, watercolours and paintings from all periods and explains her life in the context of her artistic output. Now revised with updated bibliography, this edition features colour reproductions of artworks throughout.
"Terra Incognita"
"'Terra Incognita': D.H. Lawrence at the Frontiers, edited by Virginia Crosswhite Hyde and Eari G. Ingersoll, is a collection of nine essays by scholars from five countries. They show ways in which Lawrence explored not only remote regions of the earth but also consciousness and human relations. The book also considers implications of terms like "frontier," "boundary," and "place." It gives readings that are the first to utilize new texts and research in the final prose volumes of the Cambridge Lawrence Edition. This includes all the essays Lawrence wrote in America about Southwestern and Mexican Indians (Mornings in Mexico and Other Essays, 2009). Writers are Michael Hollington, Judith Ruderman, Edina Pereira Crunfli, Tina Ferris, Virginia Crosswhite Hyde, Jack Stewart, Keith Cushman, Julianne New-mark, and Paul Poplawski. In addition to the essays, the book contains eight pages of color illustrations. It will interest both general readers and scholars of Lawrence and of twentieth-century literature"--Publisher's website.
The Grove Encyclopedia of American Art
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Georgia O'Keeffe
Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.
Winslow Homer and the Pictorial Press
Winslow Homer (1836-1910), arguably the best-known American artist of the nineteenth century, created three distinctly different bodies of work in the course of his long career: paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. A number of books and exhibition catalogues have dealt with his career as a painter, and historian David Tatham treated all of Homer's work as an illustrator of literature in his Winslow Homer and the Illustrated Book. Now, ten years later, Tatham has completed a full, scholarly account of Homer's work for pictorial magazines such as Harper's Weekly, Appleton's Monthly, and Every Saturday. Home...
John Douglas Woodward
In the decades following the Civil War, John Douglas Woodward (1846-1924) produced hundreds of landscape images of the United States, Europe, and the Holy Land for popular books and magazines, such as Hearth and Home, Picturesque America, and Picturesque Palestine, Sinai and Egypt. For the many thousands of Americas who were intensely curious about their newly reunited and westward-expanding nation and how it compared with its trans-Atlantic neighbors, his compositions provided welcome answers. From the hundreds of drawings he made on these assignments, scholars Sue Rainey and Roger B. Stein analyze the stages in Woodward's creative process from on-site drawings to book and magazine illustra...
Full Bloom: The Art and Life of Georgia O'Keeffe
"The definitive life of O'Keeffe." —Hilton Kramer, Los Angeles Times Georgia O'Keefe (1887?-1986) was one of the most successful American artists of the twentieth century: her arresting paintings of enormous, intimately rendered flowers, desert landscapes, and stark white cow skulls are seminal works of modern art. But behind O'Keeffe's bold work and celebrity was a woman misunderstood by even her most ardent admirers. This large, finely balanced biography offers an astonishingly honest portrayal of a life shrouded in myth. Some images in the ebook are not displayed owing to permissions issues.
