You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centers in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emerg...
None
"In a series of sketches, regionalist writers such as Alice Cary, Mary E. Wilkins Freeman, Sarah Orne Jewett, Grace King, Alice Dunbar-Nelson, Sui Sin Far, and Mary Austin critique the approach to regional subjects characteristic of local color and present narrators who serve as cultural interpreters for persons often considered "out of place" by urban readers. In their approach to these writers, Fetterley and Pryse offer contemporary readers an alternative vantage point from which to consider questions of regions and regionalism in the global economy of our own time."--Jacket.
Focus on the works of Toni Morrison, Gaye Jones, and Alice Walker.
This collection of essays explains the emergence of black women novelists in contemporary American literature and the cultural and personal influences that made it possible for them to find their literary authority. Beginning with the 19th century origins of the tradition--the autobiographical writings and slave narratives--the volume discusses individual writers such as Pauline Hopkins, Jessie Redmon Fauset, Ann Petry and Octavia Butler; the aggregate significance of fiction by black women; and their influence on each other. Novels examined include Toni Cade Bambara's The Salt Eaters, Ann Petry's The Street, and Toni Morrison's Song of Solomon and The Bluest Eye. ISBN 0-253-31407-0 : $29.95; ISBN 0-253-20360-0 (pbk.) : $10.95.
A vibrant tradition—long neglected—is brought back to readers in this generous and rich collection.
A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by Alice Walker, winner of the Pulitzer Prize for Fiction and the National Book Award in 1983. Titles in this study guide include The Color Purple, You Can’t Keep a Good Woman Down, The Third Life of Grange, Revolutionary Petunias, Once, Meridian, and In Love & Trouble: Stories of Black Women, Good Night Willie Lee, and I'll See You in the Morning. As a world renowned author of African American literature, Walker established her reputation in poetry, short stories, essays, novels, and even children's stories. Moreover, she coined the term “womanist” to describe feminist women of color, fi...
Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.
Examines the intersection of male and female spheres in American literature Although they wrote in the same historical milieu as their male counterparts, women writers of the 19th- and early 20th-centuries have generally been "ghettoized" by critics into a separate canonical sphere. These original essays argue in favor of reconciling male and female writers, both historically and in the context of classroom teaching. While some of the essays pair up female and male authors who write in a similar style or with similar concerns, others address social issues shared by both men and women, including class tensions, economic problems, and the Civil War experience. Rather than privileging particula...
Local colour is an undertheorized notion. Although the expression itself is nowadays used in everyday speech in both French and English, its 'domestication' only further highlights the need for a clarifying study of this concept, which has come to be crucial in aesthetic debates. From the seventeenth-century rift between 'Poussinistes' and 'Rubénistes', to the genesis of Romanticist aesthetic theories in early nineteenth-century France, to the North American regionalist prose of the Local colour movement; from Roger de Piles, to Benjamin Constant, Victor Hugo, Prosper Mérimée, and Hamlin Garland, this book sets out to map for the first time couleur locale's three-hundred-year journey across centuries, languages and genres. In addition to proposing a genealogy of the concept and the paths of its semantic evolution, it also initiates a reflection on the factors that could have prompted the mobility of the term across cultures, art forms and their metalanguages.