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The Cambridge Companion to Schubert's ‘Winterreise'
  • Language: en
  • Pages: 307

The Cambridge Companion to Schubert's ‘Winterreise'

An accessible multi-disciplinary exploration of Franz Schubert's haunting late song cycle Winterreise (1827) that combines context and different analytical approaches.

Romantic Lieder and the Search for Lost Paradise
  • Language: en
  • Pages: 195

Romantic Lieder and the Search for Lost Paradise

This book examines the theme of lost paradise in Lieder by nineteenth-century composers including Franz Schubert.

The Cambridge Companion to Metal Music
  • Language: en
  • Pages: 415

The Cambridge Companion to Metal Music

Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre.

Franz Schubert and His World
  • Language: en
  • Pages: 385

Franz Schubert and His World

The life, times, and music of Franz Schubert During his short lifetime, Franz Schubert (1797–1828) contributed to a wide variety of musical genres, from intimate songs and dances to ambitious chamber pieces, symphonies, and operas. The essays and translated documents in Franz Schubert and His World examine his compositions and ties to the Viennese cultural context, revealing surprising and overlooked aspects of his music. Contributors explore Schubert's youthful participation in the Nonsense Society, his circle of friends, and changing views about the composer during his life and in the century after his death. New insights are offered about the connections between Schubert’s music and t...

Opera in the Viennese Home from Mozart to Rossini
  • Language: en
  • Pages: 494

Opera in the Viennese Home from Mozart to Rossini

Domestic musical arrangements of opera provide a unique window on the world of nineteenth-century amateur music-making. These arrangements flourished in especially rich variety in early nineteenth-century Vienna. This study reveals ways in which the Viennese culture of musical arrangements opened up opportunities, especially for women, for connoisseurship, education, and sociability in the home, and extended the meanings and reach of public concert life. It takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers, and asks: what cultural, musical, and social functions did opera arrangements serve in Vienna c.1790–1830? Multivalent musical analyses explore ways Viennese arrangers tailored large-scale operatic works to the demands and values of domestic consumers. Documentary analysis, using little-studied evidence of private and semi-private music-making, investigates the agency of musical amateurs and reinstates the central importance of women's roles.

The Cambridge Companion to Video Game Music
  • Language: en
  • Pages: 483

The Cambridge Companion to Video Game Music

A wide-ranging survey of video game music creation, practice, perception and analysis - clear, authoritative and up-to-date.

The Cambridge Companion to Caribbean Music
  • Language: en
  • Pages: 275

The Cambridge Companion to Caribbean Music

The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.

The Cambridge Companion to K-Pop
  • Language: en
  • Pages: 313

The Cambridge Companion to K-Pop

How did Korea with a relatively small-scale music industry come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity.

The Cambridge Companion to Amy Beach
  • Language: en
  • Pages: 295

The Cambridge Companion to Amy Beach

In recent decades, the music of Amy Beach has made an impressive return to concerts, recordings, and the academy. This book introduces Beach's compelling music and life story to those as yet unfamiliar with her work. Drawing on recently uncovered archival sources, it will expand the resources available to students, scholars and listeners.

The Cambridge Companion to Composition
  • Language: en
  • Pages: 359

The Cambridge Companion to Composition

This wide-ranging guide offers insights for musicians and students on how to be a composer.