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There has been a dramatic increase in theoretical and practical studies on insect natural enemies over the last decades. The appeal of insect predators and, in particular, parasitoids, as research animals derives from the relative ease with which many species may be cultured and experimented on in the laboratory, the simple life-cycles of most parasitoid species, and the increasing demand for biological pest control as a key component of the integrated pest management approach. There is now a very substantial literature on insect natural enemies and thus a great need for a general text that enquiring students or research workers can use in deciding on approaches and techniques that are appro...
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Over the past three decades there has been a dramatic increase in theoretical and practical studies on insect natural enemies. The appeal of insect predators, and parasitoids in particular, as research animals derives from the relative ease with which many species may be cultured and experimented with in the laboratory, the simple life cycles of most parasitoids, and the increasing demand for biological pest control. There is now a massive literature on insect natural enemies, so there is a great need for a general text that the enquiring student or research worker can use in deciding on approaches and techniques that are appropriate to the study and evaluation of such insects. This book ful...
Over the past three decades there has been a dramatic increase in theoretical and practical studies on insect natural enemies. This considerably updated and expanded version of a previous best-seller is an account of major aspects of the biology of predators and parasitoids, punctuated with information and advice on which experiments or observations to conduct, and how to carry them out. It emphasizes practicalities and also provides guidance on further literature.
Passionate readers both, Olivia Langdon and Mark Twain courted through books, spelling out their expectations through literary references as they corresponded during their frequent separations. Surprisingly, in the process Olivia Langdon reveals herself not as a hypochondriacal hysteric, as many twentieth-century critics have portrayed her, but as a thoughtful intellectual, widely read in literature, history and modern science. Not so surprisingly, Samuel Clemens reveals himself as a critic and a sceptic, lampooning Langdon's physics lessons and her literary heroines. He also shows himself as an astute strategist, carefully manipulating Langdon and her parents. At the same time, Clemens's letters exhibit his own conservatism about women's nature and women's roles, while Langdon's show her carefully choosing from her culture's array of possible role models.