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The title Ciphers of Transcendence reflects the philosophical interests of Patrick Masterson, Emeritus Professor of Philosophy of Religion, University College Dublin. Transcendence is a millefeuille term conveying layered and diverse nuances, from the first openness of human awareness towards the outside world, to the ultimate affirmation of and commitment to a loving and infinite Transcendent. Patrick Masterson has devoted his philosophical career to reflection upon the unfathomable nature of the latter, seeking to decipher instances and images of transcendence within the realm of limited human experience. Through teaching and writing he has shared with students and readers his deeply perso...
Expecting the End of the World in Medieval Europe: An Interdisciplinary Study examines the phenomenon of medieval eschatology from a global perspective, both geographically and intellectually. The collected contributions analyze texts, authors, social movements, and cultural representations covering a wide period, from the 6th to the 16th century, in geographically liminal spaces where Catholic, Byzantine, Islamic, and Jewish cultures converged. The book is organized in eleven chapters which reflect and explore the following arguments: the study of specific eschatological episodes in medieval Europe and their interpretations; the analysis of apocalyptic visionaries, apocalyptic authors, and ...
Iconography: Yves Christe and Pascale Fesquet. Codicology: Paul Edward Dutton, Lesley Smith, Mark Zier, Rosamond McKitterick, and Michael Lapidge. Philosophy—Antiquity: Jean Pépin, John M. Rist, Henri Dominique Saffrey, OP. Philosophy—The Carolingian Age: John J. O'Meara, Guy-H. Allard, Gangolf Schrimpf. Philosophy—The Eleventh and Twelfth Centuries: Gilbert Dahan, Jean Jolivet, Charles Burnett, Robert D. Crouse, Wanda Cizewski, John Marenbon, Giles Constable, Willemien Otten, P.L. Reynolds, Peter Dronke, Paolo Lucentini, Tanja Kupke. Philosophy—The Later Middle Ages: Zenon Kaluza. Conceived as an hommage for Edouard Jeauneau —maître par excellence— the volume is introduced by ...
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