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Unanimal, Counterfeit, Scurrilous
"Unanimal, Counterfeit, Scurrilous is a work of wild erudition and rococo elaboration, a collection of poems that loosely channels the dynamic of desire and inhibition in Thomas Mann's novella Death in Venice. The poems follows the trajectory of the ageing Aschenbach's pursuit of youth and beauty, transmuting his yearning and resistance into jittery flirtations with longing, decay and abandonment against a backdrop of political violence. The poems have an exuberant candour, formed by polyphonic allusions which enact the intersectionality of the speaker; by turns melodramatic, flirtatious, satirical. Like the tragic protagonist of Death in Venice, Cayanan's collection manifests a longing for extroversion sabotaged by its own will. It is a queer performance of anxiety and abeyance, in which the poems' speakers obsessively rehearse who they are, and what they may be if finally spoken to."--Back cover
Flood Damages
Powerful first collection by acclaimed Filipina Australian performance poet In Flood Damages Andrada explores themes associated with immigration and inheritance, through the figure of a young Australian Filipina woman, whose family has been irreparably damaged by deportation, violence and illness. The wounds inflicted by these events, political and personal, are felt most keenly in and through her body – ‘your blood sings of the scattered histories/ that left you here’ – and in a dramatic use of language, influenced by the rhythms of prayer, which expresses pain and anger with passionate intensity. A performance poet, Andrada combines the theatrical qualities of voice and image in this, her first published collection, affirming the female body as a site of vulnerability and power.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The Mosquito Bite Author
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
Killing the Water
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Poems from the Edge of Extinction
Gold Medal Winner for Poetry and Special Honours Award for Best of Anthology at the 2020 Nautilus Book Awards. One language is falling silent every two weeks. Half of the 7,000 languages spoken in the world today will be lost by the end of this century. With the loss of these languages, we also lose the unique poetic traditions of their speakers and writers. Poems from the Edge of Extinction gathers together 50 poems in languages from around the world that have been identified as endangered; it is a celebration of our linguistic diversity and a reminder of our commonalities and the fundamental role verbal art plays in human life around the world. With poems by influential, award-winning poet...
Home Reading Service
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...
Take Care
TAKE CARE explores what it means to survive within systems not designed for tenderness. Bound in personal testimony, the poems situate the act of rape within the machinery of imperialism, where human and non-human bodies, lands, and waters are violated to uphold colonial powers. Andrada explores the magnitude of rape culture in the everyday: from justice systems that dehumanise survivors, to exploitative care industries that deny Filipina workers their agency, to nationalist monuments that erase the sexual violence of war. Unsparing in their interrogation of the gendered, racialised labour of care, the poems flow to a radical, liberatory syntax. Physical and online terrain meld into a surreal ecosystem of speakers, creatures, and excavated histories. Brimming with incantatory power, Andrada's verses move between breathless candour and seething restraint as they navigate memory and possibility. Piercing the heart of our cultural crisis, these poems are salves, offerings, and warnings.
