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Grandparents in a Digital Age
This book investigates the changing culture of grandparenting. Depending on the group, the period, and the family, grandparents have been powerful patriarchs and matriarchs, reliable second parents, dependents, burdens, or community figures. The book examines the history of grandparenting and the changing depiction of grandparent culture from “old” to “hip,” including the development of the celebrity grandparent, the emergence of media technologies that allow for new communication and relationships between grandparents and their grandchildren, new rituals associated with grandparenting, the growth of the marketing of grandparenting as a new stage of life, and the impact on our cultur...
Handle With Care
What would you do if you had twenty minutes alone with your idol? Gemma Fox is a self-confessed unlucky-in-love geek treating herself to a weekend at a pop-culture convention on Australia’s sunny Gold Coast. Drawn there by the temptation of seeing her celebrity crush, Everett Rhodes, the last thing she expects is to wind up trapped in an elevator with him. Parting ways, Gemma has no reason to suspect that their paths will cross again. After all, he’s a celebrity. She’s just a fan who lives on the other side of the planet. Besides, her life is not a rom-com. (At least, that’s what she keeps telling herself.) However, life has other plans. And Everett -stupidly charming, frustratingly handsome Everett- is hard to resist. But when things get complicated, Gemma and Everett are both faced with the same dilemma: How can they make things work when they live in completely separate worlds? Please be advised that this novel does contain adult themes that may not be considered appropriate for persons under 18 years of age.
Venus’s Palace
This book lays bare the dialogue between Shakespeare and critics of the stage and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theater and its power. These are read against twentieth- and twenty-first-century theories of acting, interviews with actors, and research into the effe...
Dark Dreams 2.0
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
Filming the First
The First Amendment to the U.S. Constitution prohibits Congress from abridging freedom of the press. But, as the printed press has been transformed into mass media with Americans now more likely to get their political information from television or social media than from print, confidence in this important, mediating institution has fallen dramatically. Movies, in their role as cultural artifacts, have long reflected and influenced those public attitudes, inventing such iconic phrases as “follow the money” from All the President’s Men and “I’m mad as hell and I’m not going to take this anymore” from Network. Filming the First: Cinematic Portrayals of Freedom of the Press analyzes eighteen films that span from Citizen Kane to Spotlight showing changes in how the press have been portrayed over time, which voices receive the most attention and why, the relationship between the press’s “Fourth Estate” role and the imperatives of capitalism, and how, despite the First Amendment’s seemingly absolute language, the government has sometimes been able to limit what the public can read or view.
50 LGBTQI+ who changed the world
Marsha P. Johnson, Keith Haring, Harvey Milk, Audre Lorde, Peter Tatchell, RuPaul... the names of pioneers and trailblazers who have advanced the LGBT cause and helped bring about new human rights. This book pays tribute in 50 portraits to the activists, personalities, writers and artists who have advanced the LGBT movement and celebrates those who have fought and are fighting every day to create a more inclusive and tolerant world.
Anatomy of the Slasher Film
The term "slasher film" was common parlance by the mid-1980s but the horror subgenre it describes was at least a decade old by then--formerly referred to as "stalker," "psycho" or "slice-'em-up." Examining 74 movies--from The Texas Chainsaw Massacre (1974) to Texas Chainsaw 3D (2013)--the author identifies the characteristic elements of the subgenre while tracing changes in narrative patterns over the decades. The slasher canon is divided into three eras: the classical (1974-1993), the self-referential (1994-2000) and the neoslasher cycle (2000-2013).
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Civility, Legality, and Justice in America
Throughout American history, the discourse of civility has proven quite resilient, and concern for a perceived lack of civility has ebbed and flowed in recognizable patterns. Today we are in another era in which political leaders and commentators bemoan a crisis of incivility and warn of civility's demise. Civility, Legality, and Justice in America charts the uses of civility in American legal and political discourse. How important is civility as a legal and political virtue? How does it fare when it is juxtaposed with the claim that it masks injustice? Who advocates civility and to what effect? How are battles over civility played out in legal and political arenas? This book brings the work of several distinguished scholars together to critically assess the relative claims of civility and justice and the way law the weighs those virtues.
