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The Art of All Colours
This volume explores the history and interpretation of mediaeval technical treatises on the arts, and includes a catalogue of over 400 manuscript sources, many of them largely unknown.
Mediaeval Painters' Materials and Techniques
Medieval painting was a craft. The anonymous Montpellier Liber diversarum arcium ('Book of various arts') is a handbook prescribing how that craft was to be practiced. It contains over five hundred art-technological instructions or 'recipes' in Latin. Unlike the vast majority of medieval artists' recipe books, this content is highly structured and organised, such as to form a complete handbook or course on painting. This Liber diversarum arcium is probably the most substantial and comprehensive medieval painters' technical recipe book to survive. It summarises the state-of-the art in the European workshops of the fourteenth century. This volume makes the Liber diversarum arcium usable to modern readers for the first time, by restoring the text in over 150 places where its corruption obscures the technical sense, by translating the text into English, and by providing a running commentary to explain the technical processes and technical terminology.
Tricks of the Medieval Trades
The anonymous Trinity Encyclopedia (translated here from Middle English for the first time) is a collection of unusually detailed 14th century English craft recipes, collected from several individuals and from a number of written sources, for manufacturing pigments, dyeing, preparing skins and furs, imitating expensive imported leathers, counterfeiting semi-precious materials, 'multiplying' (adulterating) verdigris, and for making soaps and confectionery. In many cases, the recipes attempt to codify and make explicit the practical knowledge of the craftsmen, conveying it by means of tips, clues, indicators of progress, tests for quality of materials, tests for progress, and tests for complet...
Understanding Human Well-being
This publication examines advances in underlying well-being, poverty, and inequality concepts and corresponding empirical applications and case studies, including traditional monetary concepts and measurements and non-monetary factors including educational achievement, longevity, health, and subjective well-being.
Cannabis
Cannabis: Evolution and Ethnobotany is a comprehensive, interdisciplinary exploration of the natural origins and early evolution of this famous plant, highlighting its historic role in the development of human societies. Cannabis has long been prized for the strong and durable fiber in its stalks, its edible and oil-rich seeds, and the psychoactive and medicinal compounds produced by its female flowers. The culturally valuable and often irreplaceable goods derived from cannabis deeply influenced the commercial, medical, ritual, and religious practices of cultures throughout the ages, and human desire for these commodities directed the evolution of the plant toward its contemporary varieties. As interest in cannabis grows and public debate over its many uses rises, this book will help us understand why humanity continues to rely on this plant and adapts it to suit our needs.
Colour in the Making
Describes the history and use of color in art and design, including dyes, inks, printing techniques, and inventions.
Mark Clarke and Margaret Coe
Mark Clark and Margaret Coe: Our Lives in Pain is the fully illustrated catalog that accompanies the retrospective exhibition at the University of Oregon¿s Jordan Schnitzer Museum of Art. It features essays by McCosh Associate Curator Danielle Knapp, Margaret Coe, and Roger Saydack, made possible by a Ford Family Foundation Exhibition Documentation and Support Grant.
I'll Never Be French (no matter what I do)
In a story that stands above the throngs of travel memoirs, full of gorgeous descriptions of Brittany and at times hysterical encounters with the locals, Mark Greenside describes his initially reluctant travels in this "heartwarming story" (San Francisco Chronicle) where he discovers a second life. When Mark Greenside—a native New Yorker living in California, political lefty, writer, and lifelong skeptic—is dragged by his girlfriend to a tiny Celtic village in Brittany at the westernmost edge of France in Finistère, or what he describes as "the end of the world," his life begins to change. In a playful, headlong style, and with enormous affection for the Bretons, Greenside shares how he...
Jonathan Strange and Mr Norrell
The 20th anniversary edition of the fantasy classic, with an introduction by V E Schwab Over 4 million copies sold 'One of the greatest fantasy writers of her generation' New York Times 'The book I wish I'd written' R F Kuang 'Susanna Clarke writes with an intelligence and beauty that seems at times miraculous' Katherine Rundell 'A modern masterpiece' Spectator 1806. England is beleaguered by the long war, and centuries have passed since magicians faded from view. But one remains: the reclusive Mr Norrell. Proceeding to London, he raises a woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious Norrell is challenged by the emergence of another magician. Young, handsome and daring, Jonathan Strange is his very antithesis. So begins a dangerous battle between these two great men – which overwhelms that between England and France. And soon their own secret dabblings with the dark arts are going to cause more trouble than they can imagine... 'Like Hilary Mantel, Clarke has made the very notion of genre seem quaint' Guardian
Making and Transforming Art
1. Dioscorides as an art technological source / Mark Clarke. 2. Academy and workshop: medieval transmission of late antique knowledge / Mark Clarke and Arie Wallert. 3. An elusive colorant: availability, preparation and use of anthocyanin colorants in European medieval illuminators' workshops / Sylvie Neven and Jana Sanyova. 4. Paint it red: vermilion manufacture in the Middle Ages / Stefanos Kroustallis and Rocio Bruquetas. 5. Medieval sculptures re-polychromed and re-gilded in the nineteenth century by Adrien Hubert Bressers / Delphine Steyaert. 6. 'This they use in Madrid': the ground layer in paintings on canvas in 17th-century Madrid / Maite Jover de Celis and Dolores Gayo. 7. Van Dyck ...
