Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
We Can Take It!
`We Can Take It!' shows that the British remember the war in a peculiar way, thanks to a mix of particular images and evidence. Our memory has been shaped by material which is completely removed from historical reality. These images (including complete inventions) have combined to make a new history. The vision is mostly cosy and suits the way in which the Britons conceive of themselves: dogged, good humoured, occasionally bumbling, unified and enjoying diversity. In fact Britons load their memory towards the early part of the war (Dunkirk, Blitz, Battle of Britain) rather than when we were successful in the air or against Italy and Germany with invasions. This suits our love of being the underdog, fighting against the odds, and being in a crisis. Conversely, the periods of the war during which Britain was in the ascendant are, perversely, far more hazy in the public memory.
Ypres
The story of Ypres, the series of devastating battles at the heart of Britain and her Empire's experience of the First World War: how they were fought, how they have been remembered, and what they mean for us today.
Celluloid War Memorials
Creating Celluloid War Memorials for the British Empire looks at the British Instructional Film company and its production of war re-enactments and documentaries during the mid to late 1920s. It is both a work of cinema history and a study of the public's memory of World War I. As Mark Connelly shows, these films, made in the decade following the end of the war, helped to shape the way in which that war was remembered, and may be understood as microhistories that reveal vital information about perceptions of the Great War, national and imperial identities, the role of cinema as a shaper of attitudes and identities, power relations between Britain and the United States, and the nature of popular culture.
The British Army and the First World War
A comprehensive new history of the shaping and performance of the British army during the First World War.
Reaching for the Stars
_Reaching for the Stars_ shows why Bomber Command, in one of the largest and bloodiest campaigns of the war, with 55,000 aircrew lost and more officer fatalities than in World War I, has received so much attention and yet remains a 'lost and black sheep' among British wartime achievements. There has been little official recognition: at the 50th anniversary of VE Day there was hardly a mention and the Bomber Command story has been dogged by the controversy over carpet-bombing. The role of Bomber Command in the Second World War is still shrouded in mystery. This book provides a new and revisionary narrative of the campaign and is both a military history and an investigation of how the modern image of Bomber Command has developed. There have been hundreds of books about the RAF and Bomber Command ranging from highly researched histories, technical studies of the aircraft, to popular works; as well as countless films and plays, and television and newspaper reportage. Mark Connelly pulls all the strands together to produce a fascinating and entirely new perspective on this aspect of World War II.
The Response to Prostitution in the Progressive Era
During the opening decades of the twentieth century, highly visible red-light districts occupied entire sections of many American cities. Prostitution, still euphemistically referred to as the "social evil," became one of the dominant social issues of the progressive era. Mark Thomas Connelly places the response to prostitution during those years within its complete social and cultural context. He shows how the antiprostitution movement became a focus for many of the anxieties and social tensions of the period. For many, prostitution seemed ominously linked to the changing status of women, the emergence of permissive sexual morals, uncontrolled immigration, the rampant spread of venereal dis...
The Red Shoes
In this first comprehensive book on the film, directed by Powell and Pressburger, Mark Connelly explores the creative genius behind the individual elements of its production. Offering new insights into the characters at the heart of the story, the author illuminates a film which has beguiled filmmakers and audiences alike.
The IRA on Film and Television
The Irish Republican Army (IRA) has for decades pursued the goal of unifying its homeland into a single sovereign nation, ending British rule in Northern Ireland. Over the years, the IRA has been dramatized in motion pictures directed by John Ford (The Informer), Carol Reed (Odd Man Out), David Lean (Ryan's Daughter), Neil Jordan (Michael Collins), and many others. Such international film stars as Liam Neeson, James Cagney, Richard Gere, James Mason and Anthony Hopkins have portrayed IRA members alternately as heroic patriots, psychotic terrorists and tormented rebels. This work analyzes celluloid depictions of the IRA from the 1916 Easter Rising to the peace process of the 1990s. Topics include America's role in creating both the IRA and its cinematic image, the organization's brief association with the Nazis, and critical reception of IRA films in Ireland, Britain and the United States.
George Orwell
George Orwell (1903-1950) is one of the most influential authors in the English language. His landmark novels Animal Farm (1945) and Nineteen Eighty-Four (1949) have been translated into many foreign languages and inspired numerous stage and film adaptations. His well-known essays "A Hanging" and "Shooting an Elephant" are widely anthologized and often taught in college composition classes. The writer is credited with inventing the terms "Big Brother," "thought crime," "unperson" and "double think." His name itself has become an adjective--"Orwellian." Seventy years after its publication, Nineteen Eighty-Four remains very popular, its sales surging in an era of enhanced surveillance and media manipulation. This literary companion provides an extensive chronology and more than 175 entries about both his literary works and personal life. Also included are discussion questions and research topics, notable quotations by Orwell and an extensive bibliography of related sources.
