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Gage, Yale theorist, architect, and pioneer of the digital avant-garde in architecture and design, presents here a phantasmagoria of ideas and built work in his first monograph. Architect to Lady Gaga and Nicola Formichetti, Mark Foster Gage has spent 20 years leading the digital architectural avant-garde, pushing the boundaries of what is possible in architecture and design and exploding expectations. This volume features built and unbuilt work from around the globe, from a penthouse in downtown Manhattan to retail stores in Hong Kong. The work shown goes beyond traditional architecture to the realm of fashion and fine art, and includes Gage’s celebrated Valentine’s Sculpture for Times ...
In the course of a ten-month invited competition Mark Foster Gage Architects, using tools ranging from artificial intelligence to 3D fractal software, re-invented the design languages of the ancient Nabatean civilization located on the Arabian Peninsula to propose the first Saudi resort in the modern era that would be open for international tourists. Isolated in a vast desert, with little infrastructure and virtually no visitors, lie the ancient ruins of Mada'in Saleh, and the site for the project. With five-hundred pages and over 1,500 images this is a book that documents the design process of this project, complete with all of its ideas, misdirections, failures, restarts, breakthroughs, and everything in-between. Of interest to architects and non-architects alike, this book heralds a new generation of creative techniques and design technologies that promise to redefine how we think of the past, present and future of the built environment in the 21st century and beyond. With contributions by: Karel Klein, David Ruy, Mitch McEwen, Amina Blacksher, Ferda Kolatan, Tom Wiscombe, Ellie Abrons, Adam Fure, Michael Young, Jimenez Lai, Kristy Balliet, Elena Manferdini, Florencia Pita
Gage, Yale theorist, architect, and pioneer of the digital avant-garde in architecture and design, presents here a phantasmagoria of ideas and built work in his first monograph. Architect to Lady Gaga and Nicola Formichetti, Mark Foster Gage has spent 20 years leading the digital architectural avant-garde, pushing the boundaries of what is possible in architecture and design and exploding expectations. This volume features built and unbuilt work from around the globe, from a penthouse in downtown Manhattan to retail stores in Hong Kong. The work shown goes beyond traditional architecture to the realm of fashion and fine art, and includes Gage’s celebrated Valentine’s Sculpture for Times ...
A collection of pivotal ideas about beauty from throughout history, with an introduction and critical headnotes. This collection of writings on beauty includes selections from twenty key philosophers and theoreticians spanning two millennia: Plato • Aristotle • Vitruvius • Alberti • Kant • Burke • Fiedler • Nietzsche • Wilde • Bergson • Bell • Scott • Benjamin • Bataille • Sontag • Jameson • Scarry • Nehamas • Zangwill • Freedberg and Gallese With an introduction and critical headnotes explaining the importance of each text, Mark Foster Gage offers a framework for a provocative history of ideas about beauty as they relate to contemporary thinking on architecture and design. In a world increasingly defined by sumptuous visuality, the concepts of beauty and visual sensation are not mere intellectual exercises but standards that define the very nature of design practice across disciplines and that are essential to the emerging worlds of design and architecture in the twenty-first century.
How aesthetics—understood as a more encompassing framework for human activity—might become the primary discourse for political and social engagement. These essays make the case for a reignited understanding of aesthetics—one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the “critical” stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer in...
In Designing Social Equality, Mark Foster Gage proposes a dramatic realignment between aesthetic thought, politics, social equality, and the design of our physical world. By reconsidering historic concepts from aesthetic philosophy and weaving them with emerging intellectual positions from a variety of disciplines, he sets out to design a more encompassing social theory for how humanity perceives its very reality, and how it might begin to more justly define that reality through new ways of reconsidering the built environment.
Boat, airplane, and automobile design tools and software are now applied to architectural projects using robotics and high-strength, low-weight, carbon fiber composites. Greg Lynn's studio and Mark Foster Gage's seminar at Yale—with participants Frank Gehry, Lise Ann Couture, Chris Bangle, and Greg Foley, among others—generated a lively dialogue invigorating the future of design.
Parametricism is an avant-garde architecture and design movement that has been growing and maturing over the last 15 years, emerging as a remarkable global force. The tendency started in architecture but now encompasses all design disciplines, from urban design to fashion. In architecture, the style has an international following and is currently progressing beyond its experimental roots to make an impact on a broader scale, with practices like Zaha Hadid Architects (ZHA) winning and completing large-scale architectural projects worldwide. Parametricism implies that all elements and aspects of an architectural composition or product are parametrically malleable; and the style owes its origin...
Responding to increasing levels of planetary pollution, waste generation, carbon dioxide emission and environmental collapse, Ecologies of Inception re-thinks potentiality—an object’s ability to change—in architecture and design. The book problematizes the still-prevailing modern paradigm of design practice: the technical tabula rasa, a tendency to begin from scratch and use raw, amorphous, and obedient materials that can be easily and effectively manipulated, facilitating a seamless and faithful embodiment of intentions. Instead, the philosophy of design developed in the text prompts—through a variety of case studies, thinkers, and disciplines—a collective reconsideration of value...
[Winter 2015] Log 33 delivers emerging currents and renewed interests in architectural thought. It includes a thorough examination of object-oriented philosophy: two essays offering contrasting positions on its value for the architectural discipline as well as a conversation between philosopher Graham Harman and architects Todd Gannon, David Ruy, and Tom Wiscombe. Objects are invoked throughout the issue in myriad other ways ¿ in essays on the postcritical legacy, architecture and objecthood, shape and character, history and machines ¿ highlighting the currency and multivalence of the term object in the discourse today. Log 33, which follows two best-selling issues, also presents Wolfgang Schivelbusch¿s ¿World Machines,¿ the new preface to his recently republished book The Railway Journey as well as critical commentary on architectural events from around the world, essays on urban noise and architectural acoustics, new explorations of the architect¿s hand in drawing, and more.