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Winner of the Guyana Prize, The Language of Eldorado has been long recognised as an outstanding work of Caribbean poetry, demonstrating meticulous craft in the placing of the individual poem in the architecture of the volume as a whole. Its beauty lies in its ability to convey complex ideas through concrete images that work on the reader both sensually and intellectually. Its focus is the relationship between language, landscape and the history of human settlement in Guyana. The collection is dedicated to Wilson Harris whose challenging and paradigm-changing ideas on these matters deeply influenced Mark McWatt's own thinking. At the heart of the collection is the perception of analogies between the nature of the Guyanese interior and the human psyche. For readers the way in to these speculations is through what McWatt reveals of his own process of growing consciousness. The power of dream, the recognition of what is seemingly inexplicable in one's own behaviour, the awareness of the masks and impersonations that humans employ feed into a developing curiosity about the psyche's hidden depths.
"Back in 1966, each of a group of Guyanese sixth-formers is 'sentenced' to write a short story that reflects their newly independent country. Years later, Mark McWatt, one of the group, is handed the papers of his old school friend, Victor Nunes, who has disappeared, feared drowned, in the interior. The papers contain some of the stories written before the project collapsed. As a tribute to Victor, McWatt decides to collect the rest of the stories from his friends." "Whether written by their youthful or adult selves, the stories reveal not only their tellers and the Guyana most of them have left, but offer an affectionately satirical take on Guyanese fiction making. Amongst the stories, we r...
The Caribbean has produced one of the most vigorous and exciting bodies of poetry of the last one hundred year. The Oxford Book of Caribbean Verse is the only contemporary anthology to present the best of the English-language poetry of the region alongside selections from the poetry of boththe French and Spanish Caribbean. Featuring a range of established poets from Derek Walcott to Jesus Cos Causse, Olive Senior to Aime Cesaire, as well as exciting new voices, this is a rich and challenging book.
SHORTLISTED FOR THE 2020 OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE ‘What are you?’ Tessa McWatt knows first-hand that the answer to this question, often asked of people of colour by white people, is always more complicated than it seems. Is the answer English, Scottish, British, Caribbean, Portuguese, Indian, Amerindian, French, African, Chinese, Canadian? Like most families, hers is steeped in myth and the anecdotes of grandparents and parents who view their histories through the lens of desire, aspiration, loss, and shame. In Shame On Me she unspools all the interwoven strands of her inheritance, and knits them back together using additional fibres from literature and history to strengthen the weave of her refabricated tale. She dismantles her own body and examines it piece by piece to build a devastating and incisively subtle analysis of the race debate as it now stands, in this stunningly written exploration of who and what we truly are.
Bite In is a three book graded course for teaching students to understand and enjoy poetry at Secondary school level. This third edition offers a carefully graded selection of poems to cater for all abilities.
Inspire students to enjoy literature while helping them to prepare effectively for the CSEC® examination; ensure coverage of all prescribed poems for the revised CSEC® English A and English B syllabuses with an anthology that has been compiled with the approval of the Caribbean Examinations Council by Editors who have served as CSEC® English panel members. - Stimulate an interest in and enjoyment of literature with a wide range of themes and subjects, a balance of well-known texts from the past and more recent works, as well as stories from the Caribbean and the rest of the world. - Support understanding with notes on each text and questions to provoke discussion, and a useful checklist to help with literary analysis. - Consolidate learning with practical guidance on how to tackle examination questions including examples of model answers for reference.
Weaving together autobiography, historical narrative, postcolonial voices, and a deeply sensuous ecology of place, this bold and ambitious collection of poems explores four phases of life: childhood; adolescence and young manhood; maturity, and old age. Within each section an intersecting narrative sequence complements, expands, and runs counter to the main voice, creating a complex web of interconnecting themes that stretch throughout the entire work. Moving from the search for the fantastic El Dorado to the celebration of the powerful rivers of Guyana, these poems explore guilt, sexuality, identity, and independence in life and politics.
The short story has been integral to the development of Caribbean literature, and continues to offer possibilities for invention and reinvigoration. As the most comprehensive study of its kind, this important and timely volume explores the significance of the short story form to Caribbean cultural production across the twentieth and twenty-first centuries. The twenty original essays collected here offer a unique set of inquiries and insights into the historical, cultural and stylistic characteristics of Caribbean short story writing. The book draws together diverse critical perspectives from established and emerging scholars, including Shirley Chew, Alison Donnell, James Procter, Raymond Ramcharitar and Elaine Savory. Essays cover the publishing histories of specific islands; intersections of the local, global and diasporic; treatments of race and gender; language, orality and genre; and cultural contexts from tourism to calypso to cricket. Book jacket.
‘They wanted me dead. I don’t mean physical death. I’m not afraid of that any more ... The death they wanted for me was spiritual – I think that’s what I mean – to have me beset by fears, doubts; the insecurities of action and word that take their toll and make you live a life of death.’
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