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This bio-bibliography of the golden age of the science fiction field includes 308 biographies compiled from questionnaires sent to the authors, and chronological lists of 483 writers' published works. This facsimile reprint of the 1975 edition includes a title index, introduction, and minor corrections. A now-classic guide to the major and minor SF writers active in the early 1970s.
Tom Easton has served as the monthly book review columnist for Analog Science Fiction for almost three decades, having contributed during that span many hundreds of columns and over a million words of penetrating criticism on the best literature that science fiction has to offer. His reviews have been celebrated for their wit, humor, readability, knowledge, and incisiveness. His love of literature, particularly fantastic literature, is everywhere evident in his essays. Easton has ever been willing to cover small presses, obscure authors, and unusual publications, being the only major critic in the field to do so on a regular basis. He seems to delight in finding the rare gem among the backwa...
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume Two of Two, contains Contemporary Science Fiction Authors II.
Richard Owings I (d.ca. 1716) was in Anne Arundel County, Maryland by 1684/1685, and later owned land also in Baltimore County, Maryland. He may have been the Richard Owin baptized in 1659, son of Richard Owin and Ann Phillips, London England. Professional researchers indicate the original surname was Owen or Owens; the authors feel the surname has always been Owings, and Owen or Owens were occasional erroneous spellings. Descendants and relatives lived in Maryland, South Carolina, Georgia, Florida, Alabama, Mississippi, Louisiana, Tennessee, Kentucky, West Virginia, Ohio, Illinois, Missouri, Kansas, Iowa, California and elsewhere.
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This volume is a treasure-trove of rare 19th-century macabre stories for lovers of classic fantasy and horror. From ghosts of mind and spirit to paranormal experiences, from exotic Arabian Nights adventures to Deals with the Devil, each story in this volume is sure to delight the discerning reader of classic fantasy and horror. Included are: THE GRAY LADY, by Mary E. Lee THE EBONY FRAME, by Edith Nesbit THE DOOM, by Benedict THE CURSE OF THE CATAFALQUES, by F. Anstey THE STRIDING PLACE, by Gertrude Atherton SISTER SERAPHINE, by Edna W. Underwood EXTRAORDINARY INDIAN FEATS OF LEGERDEMAIN, by David Dawson Mitchell LAZARUS, by Leonid Andreyev THE TRANSFIGURED, by Heinrich Zschokke THE UNCANNY B...
In this fourth volume of Robert M. Price's celebrated Holy Fable series, he turns his critical lens away from the Bible and toward a broader range of scriptural works that were written, or rediscovered, in modern times. Employing the same sympathetic but eagle-eyed treatment that defined past volumes, he offers in-depth analysis of the Joseph Smith–penned Book of Mormon; the long-sealed Gospel according to Thomas; the New Age Jesus of the Aquarian Gospel; the H. P. Lovecraft–invented Necronomicon; and the Andrew Lloyd Webber and Tim Rice rock opera Jesus Christ Superstar. With his trademark scholarship and wit, he demonstrates how and why this eclectic mix of contemporary scriptural work provides genuine spiritual inspiration to a colorful variety of religious groups and seekers today.
In this new retrospective collection spanning almost forty years, Pilgrim Award- and Collector's Award-winning fantasy novelist, critic, and bibliographer Robert Reginald contributes forty-five essays on writers of fantastic literature, including such major and minor figures as: Piers Anthony, Edwin Lester Arnold, Margaret Atwood, John Kendrick Bangs, Leslie Barringer, John Bellairs, Arthur Byron Cover, Lindsey Davis, Alexander de Comeau, Daphne du Maurier, R. Lionel Fanthorpe, H. Rider Haggard, Charlotte Haldane, Edward Heron-Allen, Eleanor M. Ingram, Vernon Knowles, Katherine Kurtz, Andrew Lang, Fritz Leiber, Bruce McAllister, Ward Moore, Robert Nathan, Sir Henry Newbolt, William F. Nolan,...
Tracing the emergence of what the media industries today call transmedia, story worlds, and narrative franchises, Legal Stories provides a dual history of copyright law and narrative-based media development between the Copyright Act of 1909 and the Copyright Act of 1976. Drawing on archival material, including legal case files, and employing the principles of actor-network theory, Gregory Steirer demonstrates how the meaning and form of narrative-based property in the twentieth century was integral to the letter and practice of intellectual property law during this time. Steirer’s expansive view of intellectual property law encompasses not only statutes and judicial opinions, but also the ...