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This book provides a unique insight into contemporary curation and management in an innovative London-based gallery. Using a critical in-depth case study exploration of IMT art gallery’s ‘successes’ and ‘failures’, it illustrates and evaluates contemporary issues and challenges in curatorial initiatives and exhibition-making strategies. IMT operates as a ‘hybrid space’, combining characteristics of both the commercial gallery sector with non-profit artist-led or garage spaces while retaining affiliations to academic teaching and research. This book explores its structure, behaviour, history, partnerships and exhibition programme through a variety of disciplinary lenses, bringing together cultural, creative, economic, and pedagogical perspectives, as well as the effect of recent sociocultural impacts of the global financial crisis, and the COVID-19 pandemic. Research-based and thought-provoking, this study will be of great interest to researchers, advanced students and professionals in curatorial studies, museum and gallery management, and art markets.
The accessibility of cultural resources via digital platforms is empowering Vietnamese cultural professionals to promote their culture to local and international audiences. This shortform book investigates the significance of digitization in Vietnamese culture, illuminating how cultural professionals are empowered through the process of digitization. The author shows how digitization is not an entirely comprehensive, ethical, or sustainable solution for the cultural sector in Vietnam, as cultural professionals working at nonprofit art spaces and artists experience both opportunities and challenges in digitizing art and culture. Drawing on new interviews with cultural professionals working in the cultural sector in Vietnam, the book will be of interest to scholars and reflective practitioners involved with the cultural and creative industries in South East Asia and globally.
This book offers an original critical evaluation of how freelance careers can be established and sustained in the increasingly uncertain global creative economy. Developing from the author’s theoretical and empirical research at the nexus of precarious work and entrepreneurial learning, it provides an in-depth understanding of why and how creatives can learn to become entrepreneurial and how this relates to creative entrepreneurship. This book traces how arts work became creative labour and explores the contemporary organisation of artistic and creative practices to understand practical alternatives to the individualised careers we currently feel responsible for maintaining. Inspired parti...
Workers in the creative industries are highly motivated, resilient, and innovative and these characteristics have come to the fore during the global health and resultant economic crises enveloping the world. This shortform book analyses transformation in the arts as a result of this era of polycrisis. The author interrogates public policy, legislative developments, and financial support systems to assist the arts sector around the world. Utilising interview responses from various artists and creatives, the book takes the impact of the Covid-19 pandemic on the global creative industries as its central case study. It looks at the historical relationship between art and times of global crises, ...
This book explores young Cambodians’ perceptions of their place in today’s society and how they interact with the country’s arts and culture scene. The popularity of Cambodian hip-hop among youth presents an opportunity for research to dive deeper into the roles of popular music in society and how these roles, in turn, shape Cambodian cultural identities. Research on the above-mentioned topic by local researchers is scarce. There is a gap in the research on the topic of identity, its connection to arts and culture, and how these two are positioned in a broader context of Cambodian identity politics and cultural economy. This book aims to provide a starting point for observation and con...
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Gordon Cheung creates hallucinogenic visions inspired by a wide range of sources including science fiction, the literature of authors like J G Ballard and Philip K Dick, 18th century romantic painting, cartoons and current affairs. Uniquely, he prepares his canvases using a collage of stock listings from the Financial Times which he regards as a metaphor for the data-saturated and wealth-obsessed era in which we live. These compelling works reflect on such contemporary issues as the war on terror, religion, economics, globalisation, the digital age and technology. For the exhibition and this accompanying publication, the artist creates a brand new body of work including contemporary interpretations of The Four Horsemen of the Apocalypse and Goya's Disasters of War . Published on the occasion of the exhibition Gordon Cheung: The Four Horsemen of the Apocalypse at The New Art Gallery Walsall, 7 August - 1 November 2009.
Listening After Nature examines the constructions and erasures that haunt field recording practice and discourse. Analyzing archival and contemporary soundworks through a combination of post-colonial, ecological and sound studies scholarship, Mark Peter Wright recodes the Field; troubles conceptions of Nature; expands site-specificity; and unearths hidden technocultures. What exists beyond the signal? How is agency performed and negotiated between humans and nonhumans? What exactly is a field recording and what are its pedagogical potentials? These questions are operated by a methodology of listening that incorporates the spaces of audition, as well as Wright's own practice-based reflections...
"This publication unites two interconnected projects: Survivor (F), a potential human/non-human survivor of human civilisation, and the newly commissioned The escapist BHST (black hole spacetime), which follows a character journeying through event horizons and spacetime."--Page iii
When human drivers let intelligent software take the wheel: the beginning of a new era in personal mobility.