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In the President's Home
Norman P. Auburn (1905-2003), tenth president of The University of Akron (1951-1971), was a husband and father as well as UA's most important leader in the second half of its 150 years. His third-born child remembers the private man behind the public figure. In 1926, a draftsman's son met a minister's daughter at the University of Cincinnati, Ohio's second-largest university. In order to convince her father that he could support her, he gave up law school and a graduate fellowship to launch a career in public relations. They married, encountered the Depression, and he built a new career at their alma mater, where he rose to second-in-command. In 1951, they were called to preside at Ohio's te...
Encyclopedia of British Humorists
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Sheridan Studies
This book is a systematic attempt to establish Sheridan as a major figure in the history of English comedy. Leading scholars address Sheridan's role not only as an outstanding playwright, but also as the manager of Drury Lane Theatre, and his subsequent career as a Member of Parliament. The essays examine the theatrical world in which Sheridan worked, discuss his major plays, and include a modern director's observations on the production of his work today. This is combined with an important re-evaluation of Sheridan's achievements as a master of rhetoric in the political arena, to provide a much needed contemporary assessment of this multifaceted man and his work.
Hail We Akron
Hail We Akron! gathers memories, impressions, and opinions of alumni, friends, stakeholders, and donors about Akron's hometown college since its achievement of state status, the third phase of its transformation from Buchtel College and the municipal university. A celebratory collection rather than a chronicle, it gives voice to those who worked and studied here, to the sports fans and concertgoers, the taxpayers and the angels, the employers of graduates, and the vendors of goods and services. Instead of the authority of a single narrative, it offers the range of a panorama and the variety of a collage. It is a grassroots report.
Marriage ? la Mode
Whether for love or ambition, for parental approval or reasons of state, marriage has complicated the lives of all who enter into it. First performed in 1671, Dryden’s Marriage à la Mode portrays the motives high and low that make marriage the pivotal institution of a nation. Like Dryden’s best tragicomedies, Marriage à la Mode has a double plot. The hopes that marriage excites and the regrets it suffers, the possibilities it opens and the opportunities it denies, its potential nobility and its vulnerability to decay provided Dryden with plentiful dramatic material. Comedy and pathos intersect in plots that entangle and surprise like marriage itself.
English Stage Comedy 1490-1990
First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.
The School for Scandal
Enduringly popular less for its plots than for its verbal brilliance and wit, The School for Scandal (1777) was the most frequently performed play of its time. Sir Peter Teazle has made the perennial mistake of elderly bachelors in English comedy and married a much younger wife in the hope that she will be too innocent to cross him. In fact, Lady Teazle spends her time with Lady Sneerwell and the worst set of scandalmongers in town, who have a beady eye on Charles Surface, the reckless young libertine, in expectation of seeing him ruined. Charles, however, turns out to possess the sterling virtues of generosity and loyalty to friends and family; and it is his hypocritical brother Joseph who ends up the villain of the piece. This edition discusses Sheridan's earlier drafts for the play and sets it into its theatrical context of anti-sentimentalism and its social context of the London High Society in which Sheridan had begun to move.
Annual Report of the Commissioner of Patents
Prior to 1862, when the Department of Agriculture was established, the report on agriculture was prepared and published by the Commissioner of Patents, and forms volume or part of volume, of his annual reports, the first being that of 1840. Cf. Checklist of public documents ... Washington, 1895, p. 148.
