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The Meaning of Thought
From populist propaganda attacking knowledge as ‘fake news’ to the latest advances in artificial intelligence, human thought is under unprecedented attack today. If computers can do what humans can do and they can do it much faster, what’s so special about human thought? In this new book, bestselling philosopher Markus Gabriel steps back from the polemics to re-examine the very nature of human thought. He conceives of human thinking as a ‘sixth sense’, a kind of sense organ that is closely tied our biological reality as human beings. Our thinking is not a form of data processing but rather the linking together of images and imaginary ideas which we process in different sensory moda...
Fields of Sense
Markus Gabriel proposes a radical form of ontological pluralism that divorces ontology from metaphysics, understood as the most fundamental theory of absolutely everything (the world). He argues that the concept of existence is incompatible with the exist
Transcendental Ontology
Markus Gabriel re-assesses the contributions of Hegel and Schelling to post-Kantian metaphysics and the contributions of these great German Idealist thinkers to contemporary thought.
Mythology, Madness, and Laughter
A hugely important book that rediscovers three crucial, but long overlooked themes in German idealism: mythology, madness and laughter.
Markus Gabriel’s New Realism
This is the first volume focused on Markus Gabriel’s version of New Realism, which spans the fields of metaphysics/ontology, philosophy of mind, epistemology, philosophy of science, and meta-philosophy. Most of the selected contributions are directly or indirectly concerned with Gabriel’s fields of sense-ontology, his version of a thoroughly realistic pluralism. While some take up criticisms from previous debates surrounding Gabriel’s philosophy and New Realism in general, others advance completely new and innovative challenges for this highly systematic thinker. Overall, the contributions provide both a substantive commentary on Gabriel’s work and a multifaceted, critical assessment of its underlying ideas. The book is not only an essential addition to the debate surrounding New Realism, but also furthers the discussions about naturalism, deflationist ontologies, contextualism and mereological arguments to which Gabriel’s work has contributed in recent years.
Why the World Does Not Exist
Where do we come from? Are we merely a cluster of elementaryparticles in a gigantic world receptacle? And what does it allmean? In this highly original new book, the philosopher Markus Gabrielchallenges our notion of what exists and what it means to exist. Hequestions the idea that there is a world that encompasseseverything like a container life, the universe, and everythingelse. This all-inclusive being does not exist and cannot exist. Forthe world itself is not found in the world. And even when we thinkabout the world, the world about which we think is obviously notidentical with the world in which we think. For, as we are thinkingabout the world, this is only a very small event in the wo...
I am Not a Brain
Many consider the nature of human consciousness to be one of the last great unsolved mysteries. Why should the light turn on, so to speak, in human beings at all? And how is the electrical storm of neurons under our skull connected with our consciousness? Is the self only our brain's user interface, a kind of stage on which a show is performed that we cannot freely direct? In this book, philosopher Markus Gabriel challenges an increasing trend in the sciences towards neurocentrism, a notion which rests on the assumption that the self is identical to the brain. Gabriel raises serious doubts as to whether we can know ourselves in this way. In a sharp critique of this approach, he presents a new defense of the free will and provides a timely introduction to philosophical thought about the self – all with verve, humor, and surprising insights. Gabriel criticizes the scientific image of the world and takes us on an eclectic journey of self-reflection by way of such concepts as self, consciousness, and freedom, with the aid of Kant, Schopenhauer, and Nagel but also Dr. Who, The Walking Dead, and Fargo.
Neo-Existentialism
In this highly original book, Markus Gabriel offers an account of the human self that overcomes the deadlocks inherent in the standard positions of contemporary philosophy of mind. His view, Neo-Existentialism, is thoroughly anti-naturalist in that it repudiates any theory according to which the ensemble of our best natural-scientific knowledge is able to account fully for human mindedness. Instead, he shows that human mindedness consists in an open-ended proliferation of mentalistic vocabularies. Their role in the human life form consists in making sense of the fact that the human being does not merely blend in with inanimate nature and the rest of the animal kingdom. Humans rely on a self-...
Why the World Does Not Exist
Where do we come from? Are we merely a cluster of elementary particles in a gigantic world receptacle? And what does it all mean? In this highly original new book, the philosopher Markus Gabriel challenges our notion of what exists and what it means to exist. He questions the idea that there is a world that encompasses everything like a container life, the universe, and everything else. This all-inclusive being does not exist and cannot exist. For the world itself is not found in the world. And even when we think about the world, the world about which we think is obviously not identical with the world in which we think. For, as we are thinking about the world, this is only a very small event...
The Power of Art
We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist? According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something els...
