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Up from the Streets
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A Museum on the Verge
The Detroit Institute of Arts is one of America's largest and oldest municipal art museums. However, even as the museum grew into a distinguished collection, there were threats of closure. The DIA has walked a financial tightrope since it opened just over a century ago, and was nearly closed by government funding cuts in the 1970s and 1990s. Now Jeffrey Abt tells how the DIA has had to struggle to maintain its fine art collection with barely enough income to remain open. A Museum on the Verge goes behind the scenes at the DIA to disclose the political, economic, and social forces that shaped the museum from its founding to the present day. Drawing on new archival research, Abt reveals that t...
Regents' Proceedings
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Building the Modern World
A photographically rich biography of protean architect Albert Kahn. Building the Modern World: Albert Kahn in Detroit by Michael H. Hodges tells the story of the German-Jewish immigrant who rose from poverty to become one of the most influential architects of the twentieth century. Kahn’s buildings not only define downtown Detroit, but his early car factories for Packard Motor and Ford revolutionized the course of industry and architecture alike. Employing archival sources unavailable to previous biographers, Building the Modern World follows Kahn from his apprenticeship at age thirteen with a prominent Detroit architecture firm to his death. With material gleaned from two significant Kahn...
Unfinished Business
Unfinished Business argues that U.S. deindustrialization cannot be separated from race, specifically from choreographed movements of African Americans that represent or resist normative or aberrant relationships to work and capital in transitional times.
Valuing Detroit’s Art Museum
This book explores the perilous situation that faced the Detroit Institute of Arts during the city's bankruptcy, when creditors considered it a "nonessential asset" that might be sold to settle Detroit's debts. It presents the history of the museum in the context of the social, economic, and political development of Detroit, giving a history of the city as well as of the institution, and providing a model of contextual institutional history. Abt describes how the Detroit Institute of Arts became the fifth largest art museum in America, from its founding as a private non-profit corporation in 1885 to its transformation into a municipal department in 1919, through the subsequent decades of ext...
Sandfuture
An account of the life and work of the architect Minoru Yamasaki that leads the author to consider how (and for whom) architectural history is written. Sandfuture is a book about the life of the architect Minoru Yamasaki (1912–1986), who remains on the margins of history despite the enormous influence of his work on American architecture and society. That Yamasaki’s most famous projects—the Pruitt-Igoe apartments in St. Louis and the original World Trade Center in New York—were both destroyed on national television, thirty years apart, makes his relative obscurity all the more remarkable. Sandfuture is also a book about an artist interrogating art and architecture’s role in culture...
Cranbrook
The newest titles in the Princeton Architectural Press Campus Guide series take readers on an insider's tour of the University of Washington in Seattle, Rice University in Houston, and Cranbrook in Bloomfield Hills, Michigan. Beautifully photographed in full color, the guides present architectural walks at three of America's finest campuses, revealing the stories behind the historic and contemporary buildings, gardens, and works of public art. The community of Cranbrook, designed by Eliel Saarinen, combines modernism with arts-and-crafts and art deco impulses; more recently, Steven Holl, Tod Williams and Billie Tsien, and Rafael Moneo have made contributions to Cranbrook's campus.
Art After Appropriation
Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters show how the Second World culture of the USSR gave rise to a new visibility for photography during the dissolution of the Soviet Union around 1989. Welchman examines how genres of ethnography, documentary and travel are crossed with fictive performance and social improvisation in the videos of Steve Fagin. He discusses how hybrid forms of subj...
Cranbrook Art Museum
"Cranbrook Art Museum: 100 treasures documents the permanent collection of Cranbrook Art Museum and an exhibition presented at Cranbrook Art Museum December 13, 2003, through March 28, 2004. The exhibition launched the year-long centennial celebration of Cranbrook Educational Community, which was conceived when George Gough Booth and Ellen Scripps Booth purchased land in Bloomfield Hills on January 18, 1904"--Title page verso.
