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Ficino and Fantasy
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino’s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino’s ideas by early modern art theorists.
Memories of Jewish Life
In this lyrical memoir, translated for the first time into English, noted Jewish historian, author, translator, and activist Augusto Segre not only recounts his rich life experiences but also evokes the changing world of Italian Jewry in the twentieth century. Raised in the traditional Jewish community of Casale Monferrato in the former ghetto, Segre depicts the changes wrought on his people by emancipation, fascism, world wars, and the Holocaust. Segre was a vocal opponent of Italian fascism and a combatant in Italy s partisan war against the Nazis. With the help of Italian peasants, he and his family spent eighteen months evading German and Italian fascist soldiers during the German occupa...
The Working Method of Andrea Palladio
This book shows through historical data, diagrams and drawings, the design system of an Italian historic center, that of Vicenza, Italy. Vicenza is the result of an urban construction process that has as its model the invention of the Palladian design system. The main argument is how the architectural vision of Andrea Palladio shaped Vincenza to the city it is today. Vicenza is an example of a collective dream, an expression of the best Renaissance artistic culture, a classic example that a city can reform itself through intellectual activity.
The Jew in the Art of the Italian Renaissance
Dana E. Katz reveals how Italian Renaissance painting became part of a policy of tolerance that deflected violence from the real world onto a symbolic world. While the rulers upheld toleration legislation governing Christian-Jewish relations, they simultaneously supported artistic commissions that perpetuated violence against Jews.
Venice
Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.
Italian Neorealism
This book seeks to redefine, recontextualize, and reassess Italian neorealism - an artistic movement characterized by stories set among the poor and working class - through innovative close readings and comparative analysis.
From Darkness to Light
Writers in Museums 1798-1898
Fate and Fortune in European Thought, ca. 1400–1650
If the universe were conceived to fulfill a certain divine plan or to manifest God’s will and glory, what would the place of an individual be within this plan? What is more, if, from the very beginning of its existence and through divine providence, it were predestined to be driven toward a certain end, how could people adjust their individual lives to the incognizable universal design and react to the obscure future fraught with both luck and failure? These questions, which have occupied humanity for centuries, formed a remarkable element of early modern European thought. This collection of essays presents new insights into what shaped and constituted reflections on fate and fortune between, roughly, 1400 and 1650, both in word and image. This volume argues that these ideas were emblematic of a more fundamental argument about the self, society, and the universe and shows that their influence was more widespread, geographically and thematically, than hitherto assumed. Contributors: Damiano Acciarino, Ovanes Akopyan, Elisabeth Blum, Paul Richard Blum, Jo Coture, Guido Giglioni, Dalia Judovitz, Sophie Raux, Orlando Reade, and John Sellars.
Italian Venice
In this elegant book Richard Bosworth explores Venice—not the glorious Venice of the Venetian Republic, but from the fall of the Republic in 1797 and the Risorgimento up through the present day. Bosworth looks at the glamour and squalor of the belle époque and the dark underbelly of modernization, the two world wars, and the far-reaching oppressions of the fascist regime, through to the “Disneylandification” of Venice and the tourist boom, the worldwide attention of the biennale and film festival, and current threats of subsidence and flooding posed by global warming. He draws out major themes—the increasingly anachronistic but deeply embedded Catholic Church, the two faces of modernization, consumerism versus culture. Bosworth interrogates not just Venice’s history but its meanings, and how the city’s past has been co-opted to suit present and sometimes ulterior aims. Venice, he shows, is a city where its histories as well as its waters ripple on the surface.
