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Over the past few decades, a wave of immigration has turned New York into a microcosm of the Americas and enhanced its role as the crossroads of the English- and Spanish-speaking worlds. Yet far from being an alien group within a "mainstream" and supposedly pure "Anglo" America, people referred to as Hispanics or Latinos have been part and parcel of New York since the beginning of the city's history. They represent what Walt Whitman once celebrated as "the Spanish element of our nationality." Hispanic New York is the first anthology to offer a comprehensive view of this multifaceted heritage. Combining familiar materials with other selections that are either out of print or not easily access...
At the beginning of the third decade of the 21st century, the Latino minority, the biggest and fastest growing in the United States, is at a crossroads. Is assimilation taking place in comparable ways to previous immigrant groups? Are the links to the countries of origin being redefined in the age of contested globalism? The Oxford Handbook of Latino Studies reflects on these questions, offering a sweeping exploration of Latinas and Latinos' complex experiences in the United States. Twenty-four essays discuss various aspects of Latino life and history, from literature, popular culture, and music, to religion, philosophy, and language identity.
Poetry. Bilingual Edition. Edited and Translated from the Spanish by Marta López-Luaces, Johnny Lorenz, and Edwin M. Lamboy. The poetic texts chosen and translated here represent a profound transition--psychological and political--undergone by the new Spanish citizen. This anthology focuses on the poetry written in Spain after 1975. All the poets included were raised under Franco's dictatorship, which lasted forty years. Those born in the sixties or later, such as Ernesto López García and Luis Muñoz, lived under the dictatorial regime for less than a decade; consequently, they experienced the dictatorship as a vague memory rather than as a foundation, unlike the older poets. In any case,...
Esta novela supone el gran descubrimiento para los lectores de una narradora deslumbrante, miembro de la comunidad intelectual más progresista de Nueva York. Nuestro pasado reciente sigue escondiendo muchos momentos de oscuridad entre sus pliegues ocultos. Marta López Luaces se atreve a bucear en uno de ellos en esta novela feminista, única y valiente hasta las últimas consecuencias. En el periodo final del franquismo, una mujer es confinada en un siniestro hospital psiquiátrico después de haber sido acusada de asesinar a su madre. A través de su mirada y de la de las mujeres con las que comparte su encierro -muchas de ellas ingresadas por sus propias familias sin más motivo que el de no encajar con el modelo femenino de la época-, López Luaces nos conduce a través de una historia que -aun difícil de creer por la crueldad que implica-, está basada en sucesos reales.
This book is the first to focus specifically on the exile-poetry link in the case of Argentina since the 1950s. Throughout Argentina's history, authors and important political figures have lived and written in exile. Thus exile is both a vital theme and a practical condition for Argentine letters, yet conversely, contemporary Argentina is a nation of immigrants from Europe and the rest of Latin America. Poetry is often perceived as the least directly political of genres, yet political and other forms of exile have impinged equally on the lives of poets as on any group. This study concentrates on writers who both regarded themselves as in some way exiled and who wrote about exile. This selection includes poets who are influential and recognised, but in general have not enjoyed the detailed study that they deserve: Alejandra Pizarnik, Juan Gelman, Osvaldo Lamborghini, Nestor Perlongher, Sergio Raimondi, Cristian Aliaga, and Washington Cucurto.
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The central concern of these eight studies and essays is the understanding and critique of culture at the shifty boundaries between the Modem and the Postmodern epochs. The author contends that what needs to be addressed is the very abyss, the "spacetime" between the Modern and the Postmodern worldviews, as well as the tension between aesthetics and ethics, critical discourse and the creative arts, in an effort to rethink multireferential processes of signification. The keystone of the book is Carravetta's notion of Diaphoristics, a theory of interpretation as dialogue. Diaphora, or difference, refers to the ancient quarrel between poetry and philosophy and signifies the movement between asy...
Se analizan tres relatos de las escritoras Norah Lange, Silvina Ocampo y Elena Garro ("Cuadernos de infancia", "La furia de Silvina" y "La semana de colores"), en los que se aborda desde una perspectiva femenina las relaciones que establecen los niños- con su propio cuerpo, con otras personas, con el espacio- y se pone en evidencia a un ser dividido. Los personajes infantiles presentan a menudo una subjetividad múltiple que cuestiona la idea de un ser unificado, ya sea desde el punto de vista de género o biológico, privilegiándose así una visión múltiple y fragmentada de la realidad.