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The Camp
The camp is nothing if not diverse: in kind, scope, and particularity; in sociological and juridical configuration; in texture, iconography, and political import. Adjectives of camp specificity embrace a spectrum from extermination and concentration, to detention, migration, deportation, and refugee camps. And while the geographic range covered by contributors is hardly global, it is broad: Chile, Rwanda, Canada, the US, Central Europe, Morocco, Algeria, South Africa, France and Spain. And yet—is to so characterize the camp to run the risk of diffusing what in origin is a concentration into a paratactical series of “identity particularisms”? While The Camp does not seek to antithetical...
Europe in Its Own Eyes, Europe in the Eyes of the Other
What is Europe? Who is European? What do Europe and European identity mean in the twenty-first century? This collection of sixteen essays seeks to answer these questions by focusing on Europe as it is seen through its own eyes and through the eyes of others across a variety of cultural texts, including sport, film, literature, dance, cartography, and fashion. These texts, as interpreted here by emerging researchers as well as well-established scholars, enable us to engage with European identities in the plural and to understand what these identities mean in larger cultural and political contexts. The interdisciplinary focus of this volume permits an exploration of European identity that reac...
Camps
The concentration of terrorists, political suspects, ethnic minorities, prisoners of war, enemy aliens, and other potentially “dangerous” populations spans the modern era. From Konzentrationslager in colonial Africa to strategic villages in Southeast Asia, from slave plantations in America to Uyghur sweatshops in Xinjiang, and from civilian internment in World War II to extraordinary rendition at Guantanamo Bay, mass detention is as diverse as it is ubiquitous. Camps offers a short but compelling guide to the varied manifestations of concentration camps in the last two centuries, while tracing provocative transnational connections with related institutions such as workhouses, migrant detention centers, and residential schools.
Barbed-Wire Imperialism
Introduction : Britain's empire of camps -- Concentrating the "dangerous classes" : the cultural and material foundations of British camps -- "Barbed wire deterrents" : detention and relief at Indian famine campus, 1876-1901 -- "A source of horror and dread" : plague camps in Indian and South Africa, 1896-1901 -- Concentrated humanity : the management and anatomy of colonial campus, c. 1900 -- Camps in a time of war : civilian concentration in southern Africa, 1900-1901 -- "Only matched in times of famine and plague" : life and death in the concentration camps -- "A system steadily perfected" : camp reform and the "new geniuses from India", 1901-1903 -- Epilogue : Camps go global : lessons, legacies, and forgotten solidarities
Thami al-Glaoui
Orit Ouaknine-Yekutieli examines the life and deeds of Thami al-Glaoui (1879-1956), and the multiple ways in which his story has been told. She investigates his biography as a creation continuing beyond the demise of its protagonist, asserting a conflation of history, story and storytelling. The book also reconfigures the story of major events and processes in modern Moroccan history and historiography. Thami al-Glaoui, leader of the Amazigh Glaoua tribe and Pasha of Marrakesh throughout Morocco's colonial era (1912-56), was the third most powerful person in Morocco, after the Sultan and the French Resident-General, by the 1930s. In 1953, he was a key supporter of the deportation of Sultan Mohamed V by the French. After recanting three years later, he was pardoned by the returning Sultan, but died shortly afterwards. In the four decades that followed, al-Glaoui became a synonym in Morocco for betrayal and corruption. In the 21st century, however, the ways in which he is told became more complex, and his reputation has been somewhat revised.
Omar Khadr, Oh Canada
Diverse insights into the life and legal case of a Canadian child soldier.
Religion, Migration, and Existential Wellbeing
This book uses the very latest research to examine current interactions between religion, migration and existential wellbeing. In particular, it demonstrates the role of religion and religious organizations in the social, medical and existential wellbeing of immigrants within their host societies. By focusing on the role and politics of religion and religious organisations as well as the religious identity and faith of individuals, it highlights the connection between existential wellbeing, integration and social cohesion. The book brings together researchers from various disciplines taking on the challenge to elaborate on the theme of this book from different perspectives, using different m...
Ouroboros
Looking at partisan groups such as the FLN, the Vietcong, and the Mujahedeen in Afghanistan, Ouroboros: Understanding the War Machine of Liberalism assesses how they convert their knowledge of self into tactical and strategic advantages that nullify the Clausewitzian advantages in the distribution of military power. Reynolds argues that liberalism has a global transformative mission that requires an ideologically democratic core and an illiberal periphery. By assessing the ouroboros, which sees action as definitive and final, the book explains how it powers the new strategy of preemption that intervenes in the periphery, ostensibly to set up democratic, security-centered adjuncts.
The Dialectic of Truth and Fiction in Joshua Oppenheimer’s The Act of Killing
The Act of Killing is a documentary film on the Indonesian genocide that took place between October 1965 and March 1966, during which time an estimated 500,000 to 2.5 million accused communists, including landless farmers, unionized workers, labour organizers, intellectuals and ethnic Chinese Indonesians, were killed. However, much of the film is dedicated to fictional re-enactments of the 1965–66 killings. Oppenheimer’s approach is to bring into relief the contours of the extermination of communists in Indonesia by inviting former death-squad leaders and paramilitary gangsters to re-enact the killings in whatever ways they choose. They opt at times for a realist aesthetic and at other times for genres as diverse as Hollywood westerns, film noir gangster movies, and glitzy musicals. The text explores the aesthetic and political consequences springing from this modality of representation while comparing the film to other representative testimonial documentaries of genocides and extermination.
