You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Syndicated journalist Georgie Anne Geyer calls on her nearly 40 years of experience covering Latin America to create an extraordinary biography that reveals the untold story of Fidel Castro, revolutionary and demagogue. Based on hundreds of interviews and unique sources -- including four extensive personal interviews with Castro -- Guerrilla Prince is an intimate and revealing portrait, charged with all the electricity of the charismatic leader.In this updated edition, Ms. Geyer presents new insights and addresses the changes since the 1991 release of Guerrilla Prince in hardcover -- the collapse of the Soviet Union, the internal unrest, and the growing anticipation of a post-Castro Cuba.
Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions. Miriam DeCosta-Willis's comprehensive Introduction, biographical sketches of the authors and their chronological arrangement within the text, provide an accessible history of the evolution of an Afra-Hispanic literary tradition in the Caribbean, Africa and Latin America. The book will be useful as textbook in courses in Africana Studies, Women's Studies, Caribbean, Latina and Latin American Studies as well as courses in literature and the humanities.
The account of Fidel Castro's rise to power is not complete without mention of the failed atacks of July 26, 1953, on the Cuban army garrisons at Moncada and Bayamo. This text views this initial overthrow attempt as a propaganda victory that marked the start of Castro's ascent to national power.
In Latin America, trafficking cocaine so it can be sold to someone who wants to use it is more serious than raping a woman or deliberately killing your neighbor. While it may seem incredible, that is the conclusion of a rigorous study of the evolution of criminal legislation in the region, which shows that countries’ judicial systems mete out harsher penalties for trafficking even modest amounts of drugs than for acts as heinous as sexual assault or murder. How have we reached such an unjust and irrational point? In recent decades, especially the 1980s, Latin American countries, influenced by an international prohibitionist model, fell – ironically – into what we might metaphorically c...
From the forewords: "At a time when Cuba is undergoing immense economic and social changes, race becomes a kind of cultural litmus test for the national identity. . . . This anthology illustrates fully that it is possible to be both revolutionary and black in Cuba."—Manning Marable, Columbia University "The authors of Afro-Cuban Voices, also key actors in the new, unfolding dialogue about race in Cuba, make a seminal contribution through a forthright critique of ‘racial blind spots’ in official history and present-day racial discrimination."—James Early, director of cultural studies and communication, Smithsonian Institution From the series editor: "A courageous attempt to deal head-...
First published in 1990. This text includes information of Cuba in 1986, split over four reporting quarters. The economic crisis, resulting from Fidel Castro’s traditional subordination of economic matters to international and political objectives, is hounding the regime and is weakening the appeal of Cuba as a model for developing countries.
Cover -- Half Title -- Title -- Copyright -- Dedication -- CONTENTS -- Introduction. A History That Dare Not Be Told: Political Culture and the Making of Revolutionary Cuba, 1946-1958 -- 1 Cuba on the Verge: Martyrdom, Political Culture, and Civic Activism, 1946-1951 -- 2 El Último Aldabonazo: Fulgencio Batista's "Revolution" and Renewed Struggle for a Democratic Cuba, 1952-1953 -- 3 Los Muchachos del Moncada: Civic Mobilization and Democracy's Last Stand, 1953-1954 -- 4 Civic Activism and the Legitimation of Armed Struggle Against Batista, 1955-1956 -- 5 Complicit Communists, Student Commandos, Fidelistas, and Civil War, 1956-1957 -- 6 Clandestinos, Guerrillas, and the Making of a Messiah in the Sierra Maestra, 1957-1958 -- Epilogue. Revolutionary Cuba: December 1958 and Beyond -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists’ participation in and questioning of the revolutionary government’s revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba’s poor and marginalized, the government’s official position was that racial inequities had been resolved as early as 1962. Although a more open d...