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Trouble in Paradise
A collection of highly readable critical essays (1977-2023) by a leader in the field of American social art history. Among the subjects Alan Wallach explores are the art of Thomas Cole, patronage of the Hudson River School, so-called “Luminism,” the rise of the American art museum, the historiography of American art, scholarship and the art market, as well as the work of Augustus Saint-Gaudens, Rockwell Kent, Grant Wood, Philip Evergood, and Norman Rockwell. Throughout, Wallach employs a materialist approach to argue against traditional scholarship that considered American art and art institutions in isolation from their social, historical, and ideological contexts.
Changing Prospects
The Oxbow, which is a centerpiece of this book and the accompanying exhibition, shows a thunderstorm sweeping across the sky above the mountaintop in contrast to the gardenlike pastoral scene in the valley below. It has been described as the most important American landscape painting of the nineteenth century.".
Women's Culture
Kathleen McCarthy here presents the first book-length treatment of the vital role middle- and upper-class women played in the development of American museums in the century after 1830. By promoting undervalued areas of artistic endeavor, from folk art to the avant-garde, such prominent individuals as Isabella Stewart Gardner, Gertrude Vanderbilt Whitney, and Abby Aldrich Rockefeller were able to launch national feminist reform movements, forge extensive nonprofit marketing systems, and "feminize" new occupations.
After the Hunt
Features the art collection of William B Ruger, the famed arms-maker, who passed away in June 2002. Christie's conducted a multi-million dollar auction in December 2002 of the paintings that appear in the book. The book includes approximately 20 paintings sold by Christies, NY and includes 83 colour photos of William B Ruger's private collection. The pieces depict the American West, hunting, wildlife, historical and classic art, and seascapes by artists such as Frederic S Remington, Maxfield Parrish, Albert Bierstadt, Arthur Fitzwilliam Tait and many others. Seth Eastman's 'Winnebago Encampment', Alexander Phimister Proctor's 'The Indian Warrior', and Frank Tenney Johnson's 'Cowboy on Horseback' are examples.
The "new Woman" Revised
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted ...
Regents' Proceedings
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A Place Called Paradise
In 1790, President Timothy Dwight of Yale offered this description of Northampton, a town situated on the banks of the Connecticut River in western Massachusetts: The inhabitants of this valley possess a common character, he remarked. Even the beauty of the scenery, scarcely found in the same degree elsewhere, becomes a source of pride as well as enjoyment. For Dwight, the appeal of the place lay in its proportions, which epitomized eighteenth-century ideas about the proper balance between the natural world and the built environment. Northampton evoked equally powerful visions in others. of saving grace and redemption, while to Swedish soprano Jenny Lind it was simply a paradise. During the ...
Concise Dictionary of Women Artists
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Crying the News
Crying the News: A History of America's Newsboys is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chroniclingtheir exploits in every region of the country, as well as on the railroads that linked them.
Little Women Abroad
In 1870, Louisa May Alcott and her younger sister Abby May Alcott began a fourteen-month tour of Europe. Louisa had already made her mark as a writer; May was on the verge of a respected art career. Little Women Abroad gathers a generous selection of May’s drawings along with all of the known letters written by the two Alcott sisters during their trip. More than thirty drawings are included, nearly all of them previously unpublished. Of the seventy-one letters collected here, more than three-quarters appear in their entirety for the first time. Daniel Shealy’s supporting materials add detail and context to the people, places, and events referenced in the letters and illustrations. By the...
