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Examines the issue of sexual violence from various perspectives, including sociology, criminology, anthropology, public health, and women's studies. This collection analyzes social and institutional factors that contribute to their occurrence and provides strategies for prevention and change.
A dozen essays interpret case study research on the Welfare Reform Act of 1996. Weil and Finegold (Assessing the New Federalism project, Urban Institute, Washington, DC) overview the history of welfare reform and policy implications of the latest act. While the value of supporting low-income working families has been demonstrated, Act II requires meeting diverse recipients' needs through all economic phases. Appends notes on case studies. Annotation copyrighted by Book News, Inc., Portland, OR.
Often described as an emergency, homelessness in America is becoming a chronic condition that reflects an overall decline in the nation's standard of living and the general state of the economy. This is the disturbing conclusion drawn by Martha Burt in Over the Edge, a timely book that takes a clear-eyed look at the astonishing surge in the homeless population during the 1980s. Assembling and analyzing data from 147 U.S. cities, Burt documents the increase in homelessness and proposes a comprehensive explanation of its causes, incorporating economic, personal, and policy determinants. Her unique research answers many provocative questions: Why did homelessness continue to spiral even after e...
First multi-year cumulation covers six years: 1965-70.
In this rich cultural history, Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along.