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Martha Silano's newest collection of cosmic lingo tango
"The Daily Poet offers a unique writing prompt for every day of the year. Created by poets for poets, this calendar of exercises offers inspiration and a place to begin. Whether a novice or well-established author, The Daily Poet is an essential resource for poets, teachers, professors, or anyone who wants to jumpstart their writing practice."--Cover.
Martha Silano is a diction-vixen, spinning ordinary language into celestial orbit
Martha Silano's new book "What The Truth Tastes Like, " (Two Sylvias Press, 2015) is a second edition of her original, award-winning collection published in 1999. This revised book includes twenty new poems, a Foreword by David Kirby, and an Afterword by Martha Silano. Praise for "What The Truth Tastes Like: " From clear-eyed attention to the ordinary world, Martha Silano makes poems that instruct, startle, and give pleasure as only a great poem can. -David Kirby Martha Silano reveals that she invented the perpetually grieving Linzer torte and the self-effervescing catbox lid and I believe her. Her poems are full of good stuff-sausages and Oklahoma villages and dreams of parrots. Even when l...
In this collection of 16 essays, poets discuss psychiatric treatment and their work. Poets on Prozac shatters the notion that madness fuels creativity by giving voice to contemporary poets who have battled myriad psychiatric disorders, including depression, schizophrenia, post-traumatic stress disorder, and substance abuse. The sixteen essays collected here address many provocative questions: Does emotional distress inspire great work? Is artistry enhanced or diminished by mental illness? What effect does substance abuse have on esthetic vision? Do psychoactive medications impinge on ingenuity? Can treatment enhance inherent talents, or does relieving emotional pain shut off the creative pro...
Poetry. Martha Silano's latest collection takes celestial flight. GRAVITY ASSIST, the newest collection by Martha Silano, masterfully measures the heights and depths of our earthly visions. Cerebral yet meditative, capacious yet focused, this book soars with investigations and ruminations, love letters, origin stories, and notes on gravitational forces both literal and metaphorical. Through her usual nimble style, Silano deftly weaves the humanistic and the cosmic, delivering a series of up-close and personal examinations of phenomena as far flung as copepods, nebula, trilobites, preening cormorants, or, "Reaching out to soothe you, / the twisted arms of the last of three species of endemic / sea stars ripping themselves apart, arms crawling away in opposite directions, insides spilling out."
A collection of intricately-crafted poems that honestly and movingly address pregnancy, childbirth, postpartum depression, and other aspects of family life.
In Kelli Russell Agodon’s fourth collection, each poem facilitates a humane and honest conversation with the forces that threaten to take us under. The anxieties and heartbreaks of life—including environmental collapse, cruel politics, and the persistent specter of suicide—are met with emotional vulnerability and darkly sparkling humor. Dialogues with Rising Tides does not answer, This or that? It passionately exclaims, And also! Even in the midst of great difficulty, radiant wonders are illuminated at every turn.
Award-winning poet David Wagoner and renowned editor David Lehman present the 2009 edition of Best American Poetry—"a ‘best’ anthology that really lives up to its title" (Chicago Tribune). Eagerly anticipated by scholars, students, readers, and poets alike, Scribner’s Best American Poetry series has achieved brand-name status in the literary world, serving as a yearly guide to who’s who in American poetry. Known for his marvelous narrative skill and humane wit, David Wagoner is one of the few poets of his generation to win the universal admiration of his peers. Working in conjunction with series editor David Lehman, Wagoner brings his refreshing eye to this year’s anthology. With...
Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State,...