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Published with the exhibition at the Galleria Nazionale d?Arte Moderna e Contemporanea in Rome, this book brings together history, art, and industry in a single object: the vase. The vase has been the subject and object of a narrative in which artists and designers have portrayed, photographed, and reinvented it. It has filled roles as both an art object, with its intrinsic value, and an industrial object with the same functions and no less artistic value. Curated by Spanish designer Martí Guixé, the exhibition offers an opportunity to reflect on the relationship between artisanship, design, and contemporary art, and compare visual languages that are more similar than we may think. 00Exhibition: Galleria Nazionale d?Arte Moderna e Contemporanea, Rome, Italy (16.07.-29.09.2019).
In un'epoca in cui i rapporti diventano inesorabilmente virtuali e l'amicizia sembra un concetto da social network, con "Face to Face Book" Martí Guixé ci invita a ritrovarci fisicamente, seduti fronte a fronte. Per interagire, per guardarci in faccia, per disegnarci a vicenda. I libri di Martí Guixé non sono quasi mai soltanto libri: sono divertenti provocazioni, dialoghi giocosi con il lettore-disegnatore in cui il gioco diventa spunto di riflessione. Ancora una volta Martí Guixé ci invita a sperimentare senza rischi e a seguire le regole della nostra originalità, con un nuovo libro "da fare", divertente, ironico e leggero.
In Transition Menu, the self-professed ex-designer Martí Guixé (born 1964) demonstrates how even food can be a design item. In this publication, Guixé presents his theories on food design by chronicling the fictional character, Mar López, who, over the course of her career, transitions from chef and restaurant owner to food designer. The book showcases a variety of elements of the fictional food designer including her CV, kitchen concepts and menu design, with color photographs of each of the food items on López's menu. Guixé describes how each component transcends a conventional approach to food to become a designer item. Each dish is presented in conjunction with a short essay that describes its modern look and functionality. Transition Menu expands upon Guixé's research on food design and includes his personal theories, thoughts and notes regarding the subject, by which he seeks to challenge and reappraise the parameters of conventional culinary habits.
In the past, work has shaped the way we live. In the near future, the way we live may shape the way we work. Workspheres creatively confronts the design demands of the ever-evolving contemporary work environment. Featuring design products, prototypes, and models, as well as previewing a ground-breaking exhibition at the Museum of Modern Art, New York, this exciting book introduces work concepts originated by internationally recognized designers who address the unique needs of specific work scenarios, including the nomadic office of a business traveler; the domestic office; the virtual office; and more traditional offices in settings configured for group interaction. Essays and commentaries by an international group of design experts explore such themes as individuality within a corporation; the impact of digital technology on the organization of time and schedule; and the economic significance of flexible work configurations. Copiously illustrated, this source-book will be of wide popular interest.
A monograph on the work of Spanish designer Mart! Guix, . Text in English and French
"The editor has grouped together objects in catagories which illuminate current developments in design, such as home-office furniture; the work of leading architects, ranging from Norman Foster and David Chipperfield to Zaha Hadid and Kazuyo Sejima; new treatments of traditional forms like wickerware; minimalist designs; and innovations from leading companies like Apple, Philips, Sharp and Siemens".--BOOKJACKET.
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
The workshop, exhibition and book were initiated by Ed Annink on the occasion of ExperimentaDesign 2003 - Bienal de Lisboa, Lisbon, Portugal, 2003.