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Focusing on the theme of property and community, this study offers a new account of the origins of fifteenth-century Observant reform in the monasteries and canonries of the southern Empire. Through close readings of unpublished texts, it traces how ideas about reformed community emerged, both beyond and within the religious orders, in the era of the Council of Constance. Focusing on reform among monks and canons in Bavaria and Austria to 1450, it then shows how those ideas were applied in practice, through reforming visitation and through a devotional culture steeped in the “new piety” of the day. These considerations allow the Observant Movement to offer fresh perspectives on the history religious community, reform, and the church in the fifteenth century.
Superstitions are commonplace in the modern world. Mostly, however, they evoke innocuous images of people reading their horoscopes or avoiding black cats. Certain religious practices might also come to mind—praying to St. Christopher or lighting candles for the dead. Benign as they might seem today, such practices were not always perceived that way. In medieval Europe superstitions were considered serious offenses, violations of essential precepts of Christian doctrine or immutable natural laws. But how and why did this come to be? In Fearful Spirits, Reasoned Follies, Michael D. Bailey explores the thorny concept of superstition as it was understood and debated in the Middle Ages. Bailey ...
This companion volume seeks to trace the development of ideas relating to death, burial, and the remembrance of the dead in Europe between ca. 1300 and 1700. Examining attitudes to death from a range of disciplinary perspectives, it synthesises current trends in scholarship, challenging the old view that the Black Death and the Protestant Reformations fundamentally altered ideas about death. Instead, it shows how people prepared for death; how death and dying were imagined in art and literature; and how practices and beliefs appeared, disappeared, changed, or strengthened over time as different regions and communities reacted to the changing world around them. Overall, it serves as an indispensable introduction to the subject of death, burial, and commemoration in thirteenth to eighteenth century Europe. Contributors: Ruth Atherton, Stephen Bates, Philip Booth, Zachary Chitwood, Ralph Dekoninck, Freddy C. Dominguez, Anna M. Duch, Jackie Eales, Madeleine Gray, Polina Ignatova, Robert Marcoux, Christopher Ocker, Gordon D. Raeburn, Ludwig Steindorff, Elizabeth Tingle, and Christina Welch.
In Communes and Conflict, Jan Dumolyn and Jelle Haemers explore the urban rebellions that regularly erupted in Flanders between the thirteenth and sixteenth centuries. They analyse not only how these rebellions were sparked and repressed, but also how they shaped the culture and identity of Flemish townspeople. Drawing from a wide range of theoretical methods and concepts, including those of discourse analysis, semiotics, speech acts, collective memory and material cultural studies, the authors return to key Marxist questions on ideology, labour and class interest to map the perspectives of the rebels, the urban patriciate and the Flemish and Burgundian nobility.
This book examines key cases of terrorist violence to show that the invention of terrorism was linked to the birth of modernity in Europe, Russia and the United States, rather than to Tsarist despotism in 19th century Russia or to Islam sects in Medieval Persia. Combining a highly readable historical narrative with analysis of larger issues in social and political history, the author argues that the dissemination of news about terrorist violence was at the core of a strategy that aimed for political impact on rulers as well as the general public. Dietze's lucid account also reveals how the spread of knowledge about terrorist acts was, from the outset, a transatlantic process. Two incidents f...
Role-playing games seemed to appear of nowhere in the early 1970s and have been a quiet but steady presence in American culture ever since. This new look at the hobby searches for the historical origins of role-playing games deep in the imaginative worlds of Western culture. It looks at the earliest fantasy stories from the nineteenth and twentieth centuries, at the fans--both readers and writers--who wanted to bring them to life, at the Midwestern landscape and the middle-class households that were the hobby's birthplace, and at the struggle to find meaning and identity amidst cultural conflicts that drove many people into these communities of play. This book also addresses race, religion, gender, fandom, and the place these games have within American capitalism. All the paths of this journey are connected by the very quality that has made fantasy role-playing so powerful: it binds the limitless imagination into a "strict" framework of rules. Far from being an accidental offshoot of marginalized fan communities, role-playing games' ability to hold contradictions in dynamic, creative tension made them a necessary and central product of the twentieth century.
These twenty-six essays examine urban, rural, national, and imperial histories in Early Modern Europe and abroad, and politics in Reformation Switzerland, Burgundy, Germany, and the Netherlands.
This book examines discourses around infertility and views of childlessness in medieval and early modern Europe. Whereas in our own time reproductive behaviour is regulated by demographic policy in the interest of upholding the intergenerational contract, premodern rulers strove to secure the succession to their thrones and preserve family heritage. Regardless of status, infertility could have drastic consequences, above all for women, and lead to social discrimination, expulsion, and divorce. Rather than outlining a history of discrimination against or the suffering of infertile couples, this book explores the mechanisms used to justify the unequal treatment of persons without children. Exploring views on childlessness across theology, medicine, law, demonology, and ethics, it undertakes a comprehensive examination of ‘fertility’ as an identity category from the perspective of new approaches in gender and intersectionality research. Shedding light on how premodern views have shaped understandings our own time, this book is highly relevant interest to students and scholars interested in discourses around infertility across history.
Archaeology is in crisis. Spatial turns, material turns and the ontological turn have directed the discipline away from its hard-won battle to find humanity in the past. Meanwhile, popularised science, camouflaged as archaeology, produces shock headlines built on ancient DNA that reduce humanity’s most intriguing historical problems to two-dimensional caricatures. Today archaeology finds itself less able than ever to proclaim its relevance to the modern world. This volume foregrounds the relevance of the scholarship of John Barrett to this crisis. Twenty-four writers representing three generations of archaeologists scrutinise the current turmoil in the discipline and highlight the resoluti...
Our understanding of music is inherently metaphorical, and metaphoricity pervades all sorts of musical discourses, be they theoretical, analytical, philosophical, pedagogical, or even scientific. The notions of "body" and "force" are the two most pervasive and comprehensive scientific metaphors in musical discourse. Throughout various intertwined contexts in history, the body–force pair manifests multiple layers of ideological frameworks and permits the conceptualization of music in a variety of ways. Youn Kim investigates these concepts of body and force in the emerging field of music psychology in the late nineteenth and early twentieth centuries. The field’s discursive space spans diverse contexts, including psychological theories of auditory perception and cognition, pedagogical theories on the performer’s bodily mechanism, speculative and practical theories of musical rhythm, and aesthetical discussion of the power of music. This investigation of body and force aims to illuminate not just the past scene of music psychology but also the notions of music that are being constructed at present.