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Seeing through Race is a boldly original reinterpretation of the iconic photographs of the black civil rights struggle. Martin A. Berger’s provocative and groundbreaking study shows how the very pictures credited with arousing white sympathy, and thereby paving the way for civil rights legislation, actually limited the scope of racial reform in the 1960s. Berger analyzes many of these famous images—dogs and fire hoses turned against peaceful black marchers in Birmingham, tear gas and clubs wielded against voting-rights marchers in Selma—and argues that because white sympathy was dependent on photographs of powerless blacks, these unforgettable pictures undermined efforts to enact—or even imagine—reforms that threatened to upend the racial balance of power.
"A compelling and challenging work."—Frances K. Pohl, author of Framing America "Berger is unafraid to tackle the major issues, and this book shows it."—Bruce Robertson, author of Marsden Hartley and Reckoning with Winslow Homer "Berger, writing on topics as diverse as landscape photography and early film, pushes into fascinating issues of gender, race, and class with sensitivity, insight, and largely jargon-free analysis. Having made a mark as a key Eakins scholar, he promises to achieve a similar feat in Sight Unseen, getting us to rethink traditional material in a new light."—John Wilmerding, Christopher Binyon Sarofim Professor of American Art, Princeton University
Dunleith, a community just two miles south of Wilmington, arose in the early 1950s and was the first African American housing development marketed in Delaware. African Americans, many of whom were World War II veterans, teachers, and blue-collar workers, purchased their first homes in Dunleith. During this period of civil rights programs, finding equal education and housing opportunities was a challenge, particularly for African Americans. The school and churches of the Dunleith Estates community encouraged a generation of families to persevere through this difficult period. The rich history of the community is documented through vintage photographs in Images of America: Dunleith.
"Berger's original readings provide altogether new and compelling ways to understand some of Eakins's most well-known paintings."--Alexander Nemerov, Stanford University "This book is most interesting. Berger rereads a number of Eakins's paintings and makes use of recent investigations about the meaning of manhood in the nineteenth century. Man Made casts much of Eakins's life and work into new light."--Elizabeth Johns, author of Thomas Eakins: The Heroism of Modern Life "During the last decade, Martin Berger has been the most perceptive and sophisticated critic of masculinity in nineteenth-century American art. With this book he consolidates that analysis triumphantly--and extends its implications, first into a consideration of all of Eakins's oeuvre, and then into related discourses of sexuality, domesticity, and race. Man Made has useful things to say to scholars in all fields of American culture. In addition, it now becomes the most interesting book on Eakins since Elizabeth Johns's groundbreaking work, Thomas Eakins: The Heroism of Modern Life, first published nearly twenty years ago."--Bruce Robertson, University of California, Santa Barbara
In 1951 Miami Beach, Florida was one of the most popular resort cities in America; the warm weather and tranquil beaches of this tropical paradise attracted thousands of winter visitors, mostly Jewish tourists who made the two day drive from New York. In addition, the resident population of this small island was primarily from New York. Thus, the city of Miami Beach was sometimes referred to as the SIXTH BOROUGH of New York. However, if you ventured off the island and crossed the beautiful expanse of Biscayne Bay you were in another world; you were in the deep south, where Jews were often envisioned as demons with horns, colored people were second class citizens, and racial laws were reminis...
It was the first (and last) season of professional baseball in Israel. Aaron Pribble, twenty-seven, had been out of Minor League Baseball for three years while he pursued a career in education when, at his coach's suggestion, he tried out for the newly formed Israel Baseball League (IBL). Of Jewish descent (not a requirement, but definitely a plus) and former pro, Pribble was the ideal candidate for the upstart league. In many ways the league resembled the ultimate baseball fantasy camp with its unforgettable cast of characters: the DJ/street artist third baseman from the Bronx, the wildman catcher from Australia, the journeymen Dominicans who were much older than they claimed to be, and, of...
The chilling true story of the Spahalski brothers, who looked alike, acted alike—and killed alike . . . Robert Bruce Spahalski and Stephen Spahalski were identical twins. Same hair, same eyes, same thirst for blood. Stephen was the first brother to kill—by viciously bashing in storeowner Ronald Ripley’s head with a hammer. Unlike Stephen, Robert didn’t stop with just one victim. With the cord of an iron, Robert strangled prostitute Morraine Armstrong during sex. With his bare hands, he choked his girlfriend Adrian Berger. He brutally bludgeoned to death businessman Charles Grande. Even his friend Vivian Irizarry didn’t escape his lurid killing spree. Robert ultimately confessed to the four murders in vivid detail. But police suspected there were many more. The twins’ twisted story became even more bizarre as the true nature of their sick psyches came to light. In Killer Twins, through extensive interviews, Michael Benson reveals for the first time the horrific details of Robert Spahalski’s life and crimes in a disturbing look at the inner workings of a homicidal mind.
Sarah Lewis unearths the critical moment when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. When popular nineteenth-century images of the Caucasus proved the lie of white supremacy, a new visual regime arose to suppress the evidence of the incoherence of racial order.
In The Spirit, Indigenous Peoples and Social Change Michael Frost explores a pentecostal theology of social engagement in relation to Māori in New Zealand. Pentecostalism has had an ambiguous relationship with Māori and, in particular, lacks a robust and coherent theological framework for engaging in issues of social concern. Drawing on a number of interviews with Māori pentecostal leaders and ministers, Frost explores the transformative role of pentecostal experience for Māori cultural identity, a holistic theology of mission, an indigenous prophetic emphasis, and consequent connections between pentecostalism and liberation. He thus contributes a way forward for pentecostal theologies of social change in relation to Māori, with implications for pentecostalism and indigenous peoples in the West.
This text is an original reinterpretation of the iconic photographs of the black civil rights struggle. Berger's provocative study shows how the very pictures credited with arousing white sympathy, and thereby paving the way for civil rights legislation, actually limited the scope of racial reform in the 1960s.