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Russian historiography has focused on the power of the central state. The national historiographies of the peoples that were once part of the empire, on the other hand, concentrate on their own nation, and the empire for them is only a burdensome context in which a particular nation was "waking up," and fighting for independence. Miller addresses the fabric of interaction between the imperial authority and local communities in the Romanov empire. How did the authorities structure the space of the empire? What were the economic relations between the borderlands and the centre? How was the use of different languages regulated? How did the central authorities and local officials implement polic...
Gathered from various issues of the journal BOUNDARY 2, the essays in GENDERED AGENTS assess questions of sexuality, ethics, race, psychoanalysis, subjectivity, and identity--meant to challenge traditional Western epistemology and suggest new directions for feminism. These bold essays will interest not only feminist theorists and activists, but academics from a variety of disciplines such as philosophy, sociology, anthropology, etc.
Exploring how Algerian Jews responded to and appropriated France's newly conceived "civilizing mission" in the mid-nineteenth century, Arabs of the Jewish Faith shows that the ideology, while rooted in French Revolutionary ideals of regeneration, enlightenment, and emancipation, actually developed as a strategic response to the challenges of controlling the unruly and highly diverse populations of Algeria's coastal cities.
This book seeks to give a coherent account of Gandhi's basic ideas, demonstrating the importance of Hindu thought and the centrality of his concept of Truth.
Politics and culture are at once semi-autonomous and intertwined. Nowhere is this more revealingly illustrated than in urban design, a field that encompasses architecture and social life, traditions and modernization. Here aesthetic goals and political intentions meet, sometimes in collaboration, sometimes in conflict. Here the formal qualities of art confront the complexities of history. When urban design policies are implemented, they reveal underlying aesthetic, cultural, and political dilemmas with startling clarity. Gwendolyn Wright focuses on three French colonies--Indochina, Morocco, and Madagascar--that were the most discussed, most often photographed, and most admired showpieces of ...
"At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris shows how and why music became part of the social changes Europe faced in the aftermath of World War One. It focuses on the story of black music in Paris and the people who created it, enjoyed it, criticised it and felt at home when they heard it. African Americans, French Antilleans, and French West Africans wrote, danced, sang, and acted politically in response to the heightened visibility of racial difference in Paris during this era. They were consumed with questions that continue to resonate today. Could one be black and French? Was black solidarity more important than national and colonial identity? How could ...
"In Modern Isonomy distinguished political theorist Gerald Stourzh develops the idea of "isonomy" or a system of equal rights for all, as an alternative to the concept of "democracy." The ideal for Stourzh is a state, and indeed a world, in which individual rights, including the right to participate in politics equally, are clearly defined, and possessed by all, as the core of a real democratic system. Stourzh begins with ancient Greek thought contrasting isonomy--which is associated with the rule of the many--with oligarchies and monarchies, pursuing the implications of these different forms for the rights accorded to individuals. He moves on through history to discuss the American experime...
Gandhi was the creator of a radical style of politics that has proved effective in fighting insidious social divisions within India and elsewhere in the world. How did this new form of politics come about? David Hardiman shows that it was based on a larger vision of an alternative society, one that emphasized mutual respect, resistance to exploitation, nonviolence, and ecological harmony.
What does citizenship mean? What is the process of "naturalization" one goes through in becoming a citizen, and what is its connection to assimilation? How do the issues of identity raised by this process manifest themselves in culture? These questions, and the way they arise in contemporary France, are the focus of this diverse collection. The essays in this volume range in subject from fiction and essay to architecture and film. Among the topics discussed are the 1937 Exposition Universelle; films dealing with Vichy France; François Truffaut's Histoire d'Adèle H.; the war of Algerian independence; and nation building under François Mitterrand. -- Amazon.com.
France between the two World Wars was pervaded by representations of its own colonial powers, expressed forcefully in the human displays at the "expositions coloniales", in film and in literature. This work interprets a range of cultural products to uncover the "colonial unconscious" of the age.