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"Ellen Schrecker shows how universities shaped the 1960s, and how the 1960s shaped them. Teach-ins and walkouts-in institutions large and small, across both the country and the political spectrum-were only the first actions that came to redefine universities as hotbeds of unrest for some and handmaidens of oppression for others. The tensions among speech, education, and institutional funding came into focus as never before-and the reverberations remain palpable today"--
This volume brings together essays from different fields of the humanities and social sciences that offer a fresh look at the complexity of artistic and cultural contacts, transfers, and exchanges between Europe and the Middle East. The studies reach far beyond the geographical regions where Europe and the Middle East have met and interacted throughout their long histories, such as the eastern Mediterranean, the south Caucasus, and the Balkans. Their focus is on the variety of “contact zones” of the two worlds with specific artistic creativity, characterized by dynamic processes of movement and interchange between various cultural entities in the broadest and most complex sense of the word. The studies shed new light on diverse phenomena of the “in-between” or “liminal” spaces in art and culture, with special interest in artists and art works from ancient to modern times, from fine arts and architecture to music and video.
Anchors aweigh!