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After the Nazis
A wide-ranging, insightful history of culture in West Germany—from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period’s progressive ideals. In this moment of cultural stasis, how could West Germany’s artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen’s innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past—and eventually allow democracy to reemerge.
Exiled in East Germany
The presence of Africans in the German Democratic Republic is very rarely thought of in connection with the experience of exile. Instead, Africans in the GDR are predominantly viewed through the prism of educational and labor migration. While such research has undoubtedly produced valuable insights, it often fails to adequately account for the implicit Eurocentrism, methodological nationalism, and anti-communist bias inherent in Western knowledge production. This study offers a different approach. Through biographical portrayal, it unfolds the life stories of African freedom fighters who lived in exile in the GDR and, ultimately, remained in reunified Germany, with the main case study being ...
Ulrike Meinhof and West German Terrorism
In 1970 Ulrike Meinhof abandoned a career as a political journalist to join the Red Army Faction. In an effort to understand how terrorism takes root, the author seeks a dispassionate view of Meinhof and a period when West Germany was declaring its own 'war on terror'. Ulrike Meinhof always remained a writer, and this book focuses on the role of language in her development and that of the RAF.
Death in the Shape of a Young Girl
In the early 1970s, a number of West German left-wing activists took up arms, believing that revolution would lead to social change. This publication questions the separation of political violence from feminist politics and offers a new understanding of left-wing female terrorists' actions as feminist practices that challenged existing gender ideologies. The author draws on archival sources, unpublished letters, and interviews with former activists to paint an interdisciplinary picture of West Germany's most notorious political group, the Red Army Faction (der Rote Armee Fraktion (RAF)).
Evaluating Counterterrorism Performance
This book offers a new model for measuring the success and impact of counterterrorism strategies, using four comparative historical case studies. The effectiveness of counterterrorism measures is hard to assess, especially since the social impact of terrorist attacks is a fundamental and complex issue. This book focuses on the impact of counterterrorist measures by introducing the concept of the performative power of counterterrorism: the extent to which governments mobilize public and political support - thereby sometimes even unwittingly assisting terrorists in creating social drama. The concept is applied to counterterrorism in the Netherlands, Italy, the Federal Republic of Germany and t...
Three Faces of Antisemitism
Three Faces of Antisemitism examines the three primary forms of antisemitism as they emerged in modern and contemporary Germany, and then in other countries. The chapters draw on the author’s historical scholarship over the years on the form antisemitism assumed on the far right in Weimar and Nazi Germany, in the Communist regime in East Germany, and in the West German radical left, and in Islamist organizations during World War II and the Holocaust, and afterward in the Middle East. The resurgence of antisemitism since the attacks of September 11, 2001, has origins in the ideas, events, and circumstances in Europe and the Middle East in the half century from the 1920s to the 1970s. This b...
The White Ribbon
Explores Haneke's historically complex award-winning film The White Ribbon (2009) as a multilayered reflection on purity, ideology, violence, and child-rearing. In this tense black-and-white whodunit, mysterious events occur in a small town on the German-Polish border in 1913-14. While the film unfolds on the eve of the First World War, the violence evokes other historical moments: the breakup of the multiethnic Austro-Hungarian Empire, the rise of National Socialism, the emergence of 1960s German terrorism, and religious fundamentalism post 9/11. Naqvi's book looks at Haneke's technique of combining various histories in the digital era. It also reflects on the guise of literariness and historical authenticity in which the director clothes this fictional film. It meditates on the film's inscription techniques and its ability to appeal to international audiences. Naqvi shows that The White Ribbon bespeaks a certain historical "translatability" into historical and aesthetic contexts outside of Germany--in marked contrast to the historical specificity it conveys on a surface level.
The Traitor
Autobiography, philosophical inquiry, confession—The Traitor is an unclassifiable and unforgettable book from one of France’s most inspiring social critics. Written when André Gorz was 32 and rising to prominence in the Parisian existentialist milieu, The Traitor starts from an acute personal crisis, “a state of absolute subjective misery,” rooted in social and political alienation. Using psychoanalysis and Marxism, Gorz explores the origins and symptoms of this crisis and struggles towards a resolution which he finds at last in political commitment and self-affirmation. Few personal documents have ever been so rigorously analytical; few philosophical texts so vividly illuminated by...
Finding a Voice
Finding a Voice explores aspects of the use and function of language in East Germany which resulted from Party control of public discourse during the period of the German Democratic Republic. A distinctive feature of the volume, which brings together essays by British and German scholars, is the wide variety of areas which are incorporated in this survey - from political and public discourse, through aspects of sociolinguistics and the teaching of German, to a spectrum of artistic forms ranging from rock music and film to poetry and the novel. In particular, the relationship between public discourse and the events of the ‘Wende' is explored in a number of contributions. Most of the works and issues considered are discussed in English here for the first time, and the volume as a whole should be of interest to scholars concerned with the GDR and with contemporary German culture, to undergraduate and postgraduate students, and also to others interested in the history and culture of Germany since 1945. Nine of the essays are in English and four in German.
