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The Life and Work of Martin Johnson Heade
  • Language: en
  • Pages: 408

The Life and Work of Martin Johnson Heade

Martin Johnson Heade was one of the most significant American painters of the nineteenth century, creator of portraits, history and genre pictures, still lifes, ornithological studies, landscapes, and marines, and his own unique orchid and hummingbird compositions. This book brings a perspective to Heade and his works, presenting him as one of the most original and productive painters of his time. Theodore Stebbins builds on his acclaimed 1975 study of Heade, drawing on several newly discovered collections of Heade's letters and the painter's own Brazilian journal. Stebbins tells of Heade's training and early career as an itinerant portraitist and discusses his move to New York, where, under...

Martin Johnson Heade
  • Language: en
  • Pages: 86

Martin Johnson Heade

Martin Johnson Heade (1819-1904) was under-appreciated during his lifetime, forgotten in death, and rediscovered four decades later, yet today he is recognized as one of the most important artists America has produced. This book surveys Heade's long and diverse career and includes examples of his portraits, landscapes, hummingbirds, still lifes, and flowers. Heade's history is vague; he was an artist who wrote often and copiously, but seldom about his own work or himself. Although his work will continue to be researched and his philosophical and aesthetic concerns speculated on, he will, nevertheless, remain enigmatic.

Martin Johnson Heade, 1819-1904
  • Language: en
  • Pages: 116

Martin Johnson Heade, 1819-1904

  • Type: Book
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  • Published: 1948
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  • Publisher: Unknown

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Martin Johnson Heade, 1819-1904
  • Language: en
  • Pages: 116

Martin Johnson Heade, 1819-1904

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Martin Johnson Heade
  • Language: en

Martin Johnson Heade

  • Type: Book
  • -
  • Published: 1954
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  • Publisher: Unknown

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Martin Johnson Heade; [exhibition, Organized by the Art Dept., University of Maryland
  • Language: en
  • Pages: 124
Artist File
  • Language: en

Artist File

  • Type: Book
  • -
  • Published: 1970
  • -
  • Publisher: Unknown

None

Martin Johnson Heade
  • Language: en
  • Pages: 46

Martin Johnson Heade

  • Type: Book
  • -
  • Published: 1981
  • -
  • Publisher: Unknown

None

Martin Johnson Heade, 1819-1904. [With Reproductions, Including a Portrait.].
  • Language: en
  • Pages: 71
Martin Johnson Heade
  • Language: en
  • Pages: 197

Martin Johnson Heade

Martin Johnson Heade (1819-1904) had the longest career and produced perhaps the most varied body of work of any American painter of the nineteenth century. His prolific oeuvre ranges from American coastal marshes and marine landscapes to the lush tropical splendor of South and Central American landscapes, birds, and flowers. An independent thinker as well as a world traveler, Heade developed a singular approach to landscape and still life painting, adapting some elements of the style and practice of the Hudson River School to his own more Darwinian vision. While Heade had only a minor reputation in his own day and was completely forgotten for many decades after his death, he is now rightly regarded as an artist of great significance and originality, and as the only American whose landscapes and still lifes are equally important.