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A school assistant in Buenos Aires' most prestigious state school, Maria Teresa Cornejo's job is to keep the students in line. Suspecting that some of them are smoking in the school toilets, Maria Teresa takes to spying on them urinate - an activity she gets pleasure from listening to. Found out by her supervisor Senor Biasutto, she is not fired but forced into sexual collusion with him. In this society all appears fair and liberal but within there is brutal repression and the teachers including Señor Biasutto draw up black-lists of candidates for torture. As tense and uncompromising as a novel by Elfriede Jelinek, School for Patriots powerfully shows how in a dictatorship the political and the sexual interact.
New York, 1923, the Argentine Luis Angel Firpo, called the Wild Bull of the Pampas, knocks out of the ring the American Jack Dempsey, heavyweight champion of the world. In Buenos Aires, the match is transmitted on the radio and Firpo proclaimed world champion. However, the referee does not count the time outside the ring. Dempsey comes back and knocks the challenger out. The Wild Bull of the Pampas will have been world champion for only 17 seconds. Trelew, Patagonia, 1973: to celebrate the fiftieth anniversary of the local paper, the sports journalist recalls this mythical match. The head of the cultural section celebrates the first performance of Mahler's First Symphony in the Teatro Colon of Buenos Aires conducted by Richard Strauss. In addition to these two great events of the 14th of September 1923 there is also a man found hanged in a hotel room: it is never known whether murder or suicide caused his death. Classical music, sport and crime come together to recreate the past in a disturbing investigation that questions the role of the media in the construction of popular culture.
Following up on his timely and well-received book, A Failure of Capitalism, Richard Posner steps back to take a longer view of the continuing crisis of democratic capitalism as the American and world economies crawl gradually back from the depths to which they had fallen in the autumn of 2008 and the winter of 2009. By means of a lucid narrative of the crisis and a series of analytical chapters pinpointing critical issues of economic collapse and gradual recovery, Posner helps non-technical readers understand business-cycle and financial economics, and financial and governmental institutions, practices, and transactions, while maintaining a neutrality impossible for persons professionally co...
This book puts two of the most significant Jewish Diaspora communities outside of the U.S. into conversation with one another. At times contributor-pairs directly compare unique aspects of two Jewish histories, politics, or cultures. At other times, they juxtapose. Some chapters focus on literature, poetry, theatre, or sport; others on immigration, antisemitism, or health. Taken together, the essays in Promised Lands North and South offer sparkling insight and new depth on the modern Jewish global experience.
This volume examines the blending of fact and fiction in a series of cultural artefacts by post-dictatorship writers and artists in Argentina, many of them children of disappeared or persecuted parents. Jordana Blejmar argues that these works, which emerged after the turn of the millennium, pay testament to a new cultural formation of memory characterised by the use of autofiction and playful aesthetics. She focuses on a range of practitioners, including Laura Alcoba, Lola Arias, Félix Bruzzone, Albertina Carri, María Giuffra, Victoria Grigera Dupuy, Mariana Eva Perez, Lucila Quieto, and Ernesto Semán, who look towards each other's works across boundaries of genre and register as part of the way they address the legacies of the 1976-1983 dictatorship. Approaching these works not as second-hand or adoptive memories but as memories in their own right, Blejmar invites us to recognise the subversive power of self-figuration, play and humour when dealing with trauma.
Music, sport and crime come together to recreate the past in a disturbing investigation that questions the media's role
This book argues for a new reading of the political and ethical through the literatures of Argentina, Chile, and Paraguay from 1970-2000. Carlos Amador reads a series of examples from the last dictatorship and the current post-dictatorship period in the Southern Cone, including works by Augusto Roa Bastos, Roberto Bolaño, Ceferino Reato, Horacio Verbitsky, Nelly Richard, Diamela Eltit, and Willy Thayer, with the goal of uncovering the logic behind their conceptions of belonging and rejection. Focusing on theoretical concepts that make possible the formation of any and all communities, this study works towards a vision of literature as essential to the structure of ethics.
In Transition Cinema, Jessica Stites Mor documents the critical role filmmakers, the film industry, and state regulators played in Argentina's volatile and unfinished transition from dictatorship to democracy. She shows how, during periods of both military repression and civilian rule, the state moved to control political film production and its content, distribution, and exhibition. She also reveals the strategies that the industry, independent filmmakers, and film activists employed to comply with or circumvent these regulations. Stites Mor traces three distinct generations of transition cinema, each defined by a seminal event that shifted the political economy of national filmmaking. The ...
Explains why cities dig deep in their pockets to host the Olympics and countries breed teams for success on the world soccer stage.
Cutting-edge critical and theoretical studies of the impact of globalization on Latin American literary production, by first-rate interdisciplinary scholars working in Europe, Latin America and the United States.