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The writings of Walker Percy, as Panthea Broughton notes in her introduction, are at once both accessible and inaccessible. Because they tempt readers to identify with characters and recognize ideas, they have gained a large and enthusiastic following. But because they are subtle and complicated, they defy attempts to reduce them to transparencies. Indeed, Percy’s fiction and nonfiction have a curious, baffling quality that eludes all but the most scrupulously thoughtful and sensitive readers. Through his close alignment with European novelists and philosophers, this native of Alabama has given to American fiction a classic tone that is lacking in the work of such twentieth-century writers...
Although the novels of Walker Percy represent some of the most prominent work in 20th-century Southern fiction, the Percy family itself has a history that is arguably as compelling as anything he could have created. Behind Percy's prose lurks a legacy of wealth, literary accomplishment, political leadership, depression, and suicide that spans two centuries. In this compelling biography, Wyatt-Brown skilfully combines intensive research and telling insights to produce the unforgettable story of this gifted family. 48 halftones.
Stephen Haynes takes a hard look at contemporary Christian theology as he explores the pervasive Christian "witness-people" myth that dominates much Christian thinking about the Jews in both Christian and Jewish minds. This myth, an ancient theological construct that has put Jews in the role of living symbols of God's dealings with the world, has for centuries, according to Haynes, created an ambivalence toward the Jews in the Christian mind with often disastrous results. Tracing the witness-people myth from its origins to its manifestations in the modern world, Haynes finds the myth expressed in many unexpected places: the writings of Karl Barth, the novels and essays of Walker Percy, the "prophetic" writings of Hal Lindsey, as well as in the work of some North American Holocaust theologians such as Alice L. and A. Roy Eckardt, Paul van Buren, and Franklin Littell.
Hardy's study is concerned only with Percy's fiction, rather than his life, thought or his essays. He covers all six of Percy's novels from The Moviegoer (1961) to The Thanatos Syndrome (1987), and treats them only as fiction, rather than as philosophical disquisitions or religious treatises. Hardy presents a close reading of each novel, focusing on the internal artistic consistency of the works in regard to their subgenres, adopted conventions, narrative focus, and reader/text interactions. He reveals Percy as a judicious and knowledgeable practitioner in control of his medium. ISBN 0-252-01387-5: $24.95.
"What was gunpowder?" Trivial. What was electricity? Meaningless. This atomic bomb is the Second Coming in wrath." - Winston Churchill, July 1945 Commencing earnestly in the1960s, the American novel began its exploration into how mankind could adjustto life in the shadow of the mushroom cloud, how we could begin to think aboutthe Unthinkable. American writers faced squarely the age birthed by nuclearphysics and found in its very darkness difficult avenues to hope byrediscovering that most potent, traditional response to a history in crisis:the apocalyptic temper. Dewey focuses on seven novelsthat touch the variety of generic experiments and postures of the post-WorldWar II American novel. Th...
Walker Percy's novels are fraught with characters struggling toward a destiny and purpose in life who must sort through conflicting inner voices and the voices of family, friends, therapists, and mentors until they finally find their own paths. Through trial, error, and retrial, Percy's characters continuously reinvent themselves, struggling until they reach solutions, satisfaction, and maturity. In this multifaceted work, Michael Kobre analyzes Walker Percy's major fiction works--The Moviegoer, The Last Gentleman, Love in the Ruins, Lancelot, The Second Coming, and The Thanatos Syndrome--in terms of the Russian philosopher and literary scholar Mikhail Bakhtin's critical theory. Kobre begins with an introduction to Percy's view of language and consciousness and a clear, accessible explanation of Bakhtin's ideas. His subsequent discussion of the novels connects each work in turn with Percy's advancing career and explores the deepening conflict in Percy's fiction between his desire to express his own religious and moral beliefs and his commitment to the essential freedom of his art--the play of many voices in his narratives.
Each volume in this series provides an introduction tracing the subject author's critical reputation, trends in interpretation, developments in textual and biographical scholarship, and reprints of selected essays and reviews, beginning with the author's contemporaries and continuing through to current scholarship. Many volumes also feature new essays by leading scholars and critics, specially commissioned for the series.