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Arminius the Liberator
Arminius the Liberator deals with the complex modern reception of Arminius the Cheruscan, commonly called Hermann. Arminius inflicted one of their most devastating defeats on the Romans in the year 9 A.D. by annihilating three legions under the command of Quintilius Varus in the Battle of the Teutoburg Forest, as it is generally if inaccurately called. This book traces the origin of the Arminius myth in antiquity and its political, artistic, and popular developments since the nineteenth century. The book's central themes are the nationalist use and abuse of history and historical myth in Germany, especially during the Weimar Republic and National Socialism, the reactions to a discredited ideology involving Arminius in post-war Europe, and revivals of his myth in the United States. Special emphasis is on the representation of Arminius in visual media since the 1960s: from painting and theater to cinema, television, and computer animation.
The Roman Salute
Saluting gestures in Roman art and literature -- Jacques-Louis David's Oath of the Horatii -- Raised-arm salutes in the United States before fascism : from the pledge of allegiance to Ben-Hur on stage -- Early cinema : American and European epics -- Cabiria : the intersection of cinema and politics -- Gabriele d'Annunzio and Cabiria -- Fiume : the Roman salute becomes a political symbol -- From D'Annunzio to Mussolini -- Nazi cinema and its impact on Hollywood's Roman epics : from Leni Riefenstahl to Quo vadis -- Visual legacies : antiquity on the screen from Quo vadis to Rome -- Cinema : from Salome to Alexander -- Television : from Star trek to Rome -- Conclusion.
Ovid on Screen
The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.
Cinema and Classical Texts
This book interprets films as visual texts and demonstrates the affinities between Greco-Roman literature and the cinema.
Gladiator
This is the first book to analyze Ridley Scott’s film Gladiator from historical, cultural, and cinematic perspectives. The first systematic analysis of Ridley Scott’s film, Gladiator. Examines the film’s presentation of Roman history and culture. Considers its cinematic origins and traditions. Draws out the film’s modern social and political overtones. Includes relevant ancient sources in translation.
Classical Literature on Screen
This book examines different affinities between major classical authors and great filmmakers alongside representations of ancient myth and history in popular cinema.
Spartacus
This is the first book systematically to analyze Kirk Douglas’ and Stanley Kubrick’s depiction of the slave revolt led by Spartacus from different historical, political, and cinematic perspectives. Examines the film’s use of ancient sources, the ancient historical contexts, the political significance of the film, the history of its censorship and restoration, and its place in film history. Includes the most important passages from ancient authors’ reports of the slave revolt in translation.
Classics and Cinema
None
Return to Troy
Return to Troy presents essays by American and European classical scholars on the Director’s Cut of Troy, a Hollywood film inspired by Homer’s Iliad. The book addresses major topics that are important for any twenty-first century representation of ancient Greek myth and literature in the visual media, not only in regard to Troy: the portrayals of gods, heroes, and women; director Wolfgang Petersen’s epic technique; anachronisms and supposed mistakes; the fall of Troy in classical literature and on screen; and the place of the Iliad in modern popular culture. Unique features are an interview with the director, a report on the complex filming process by his personal assistant, and rare photographs taken during the original production of Troy.
Classical Myth and Culture in the Cinema
Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in ancient Greece and Rome and to films that reflect archetypal features of classical literature. The diversity of content and theoretical stances found in this volume will make it required reading for scholars and students interested in interdisciplinary approaches to text and image, and for anyone interested in the presence of Greece and Rome in modern popular culture.
