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Painting the Text
In this masterly work, Martin O'Kane shows artists at work as readers of the Bible and not simply as illustrators of biblical scenes. The painter's eye commonly sees nuances and subtleties of plot and characterization in the biblical text that traditional biblical criticism has overlooked. Focussing in fine detail on some well-known biblical themes-the deception of Isaac, the depiction of Isaiah's suffering servant, the visit of the Magi and the flight into Egypt, among others-O'Kane argues that modern readers need the artist's exegetical insight and engagement to appreciate the text fully. Ranging widely over mediaeval, Renaissance and modern art, the author situates his work within the hermeneutical aesthetics of Hans-Georg Gadamer, Mieke Bal and Paolo Berdini. Some 30 images are reproduced in the text.
Imaging the Bible
Imaging the Bible examines how 'reading' the Bible visually can help us appreciate the intricacies of the biblical narrative and shows how the stories of the Bible have been interpreted visually within specific traditions. The Bible is seen as not merely a book of doctrine but as the main source of inspiration of the arts in Western Europe. The book introduces the reader to the broad and inclusive range of ways that the Bible has been interpreted in the arts - from the earliest Christian art through the medieval period and the Renaissance and up to the twentieth century. Written for non-specialists and assuming no previous knowledge of art history, this is an ideal introduction to Biblical art for students and for the general reader. The contributors are: Andreas Andreopoulos (Lampeter); Clyde Binfield (Sheffiled); Sarah Boss (Lampeter); Laura Carnavale (Bari, Italy); Nicholas Davey (Dundee); Peter French (Melbourne, Australia); John Harvey (Wales); Heidi Hornik (Baylor, Texas); and, John Morgan-Guy (Lampeter).
Bible, Art, Gallery
While Old Masters' paintings of biblical scenes held by major galleries in many countries are visited and seen by thousands, gems of biblical art in smaller, provincial galleries seldom get the recognition and attention they deserve. Over two years, assisted by funding from the British Academy, conferences were held at the Barber Institute of Fine Arts, University of Birmingham, and at the Manchester Art Gallery, highlighting some of the significant biblical paintings held in the collections of both galleries. The papers presented at these conferences, drawn from the worlds of biblical studies, art history, philosophy, sociology and music, and collected in this volume, reflect the interdisciplinary goals of the project. These essays serve not only to showcase biblical paintings by lesser known artists but also to illustrate the wide range of perspectives and insights brought by the different academic disciplines.
Word and Image
The story of the creation of The Saint Johns Biblethe first commissioned, handwritten Bible in five hundred years and the first Bible of this magnitude written in English using a contemporary translationhas been told elsewhere. In Word and Image, Fr. Michael Patella focuses not on how it was made but on how, now that it is finished, it can be read, viewed, and interpreted. Patella considers the centuries-long tradition of illuminated Bibles and also the fascinating ways this Bible reflects third-millennium concerns. He seeks to rekindle interest in sacred art by allowing The Saint John's Bible to teach its readers and viewers how to work with text and image. As an accomplished Scripture scholar, a monk of the abbey that commissioned the Bible, and the chair of the Committee on Illumination and Text that provided the vision to the artists who created it, Patella may be the only one who could write this book with such insight, expertise, and love.
Considering Compassion
In light of the numerous challenges posed by globalization, living together as humanity on one planet needs to be reinvented in the twenty-first century. To create a new, peaceful, just, and sustainable world order is vital to the survival of us all. In this regard, humankind will have to expand the limited scope of its moral imagination beyond the borders of family, tribe, class, religion, nation, and culture. Will the cultivation of compassion, as scholars like Martha Nussbaum and Karen Armstrong, and religious leaders like the Dalai Lama maintain, contribute to a more just world? A global movement to cultivate and extend compassion beyond the immediate circle of concern may indeed find in...
God’s People on the Move
On the highways and byways of every continent, hundreds of millions of immigrants are constantly on the move. Because of growing inequalities of wealth caused by unregulated economic globalization, political and ethnic conflicts, environmental degradation, instant communication, and viable means of transportation, more and more people are migrating than ever before. Crossing international borders, whether compelled or voluntarily, is a major characteristic of our present epoch. No countries or regions are immune from this reality. Facing the growing scope, complexity and impact of the current worldwide phenomenon, God's People on the Move seeks to develop appropriate biblical and missiologic...
Beyond the Biblical Horizon
Recent years have witnessed an upsurge of interest in relating the Bible to the worlds of literature and the visual arts. How is the Bible portrayed in the arts and how do the arts affect what we know, or think we know, about the Bible? In this provocative and wide-ranging collection, the eight contributors engage in a lively and fruitful conversation with the work of novelists, artists, filmmakers, and critics. Topics treated in this collection include the Bible and film, from Frank Capra movies of the 30s and 40s to such Hollywood epics as The Robe and The Ten Commandments; the Bible and literature, focusing particularly on the story of David and Bathsheba in recent fiction; and the Bible and painting, with specific studies of Rembrandt as painter and etcher and the twentieth-century German artist Lovis Corinth and more generalized discussion of paintings of King David throughout the centuries and the representation of the sexuality of Jesus in Renaissance art. Contributors include Joel Rosenberg, Erica Sheen, Martin O'Kane, Ilse Müllner, Johannes Taschner, Clive Marsh, J. Cheryl Exum, and David Jasper.
Celtic Soccer Crew
John O'Kane delivers a gripping tale of a life dedicated to football violence and gives an unparalled insight into the reality of being a career hooligan. With 33 criminal convictions against him, plus a further 33 cases either dropped or with a not guilty verdict, O'Kane has been remanded nine times including one charge of attempted murder when he was aged just 18. He became rapidly embroiled in a life of violence and was in and out of prison just as many times as he was in and out of a hospital bed.His was a life dedicated to the gang he founded, the Celtic Soccer Crew. O'Kane describes the extraordinary struggle of a gang of football hooligans to survive, despite discovering an unexpected enemy: the indomitable Celtic support - a support that guarded its reputation and good name with a passion O'Kane hadn't reckoned with, even as a Celtic supporter himself. But out on the streets and causing mayhem, the Celtic Soccer Crew, including, incredibly, their girlfriends, showed they were not taking grief from anyone.
