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My Ideal Bookshelf
The books that we choose to keep -- let alone read -- can say a lot about who we are and how we see ourselves. In My Ideal Bookshelf, dozens of leading cultural figures share the books that matter to them most; books that define their dreams and ambitions and in many cases helped them find their way in the world. Contributors include Malcolm Gladwell, Thomas Keller, Michael Chabon, Alice Waters, James Patterson, Maira Kalman, Judd Apatow, Chuck Klosterman, Miranda July, Alex Ross, Nancy Pearl, David Chang, Patti Smith, Jennifer Egan, and Dave Eggers, among many others. With colorful and endearingly hand-rendered images of book spines by Jane Mount, and first-person commentary from all the contributors, this is a perfect gift for avid readers, writers, and all who have known the influence of a great book.
Judge's Library
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Handbook of Orthopaedic Trauma Implantology
This reference work comprehensively covers essential orthopedic trauma implants and their application in both upper and lower limbs. It offers insights into the invention, advantages, and disadvantages of various implants, along with the rationale behind their current designs, biomechanics, and materials. Additionally, the book addresses fracture fixation and general considerations when comparing different subgroups of implants, such as nails versus plates or ORIF versus external fixation. The book is divided into several sections, such as upper and lower limbs, spine, and pelvis. It also includes unique sections dedicated to pediatric implants, implant removal, metallurgy and bone grafts. I...
Dana Andrews
Dana Andrews, arguably the finest minimalist actor of his generation, as one critic commented, could convey more with one look than many actors could with a soliloquy. In a film career spanning nearly five decades, Andrews appeared in some of Hollywood's most prestigious productions, including The Ox-Bow Incident (1943) and The Best Years of Our Lives (1946). His unique screen presence was shown at its best in such film noir classics as Laura (1944) and Where the Sidewalk Ends (1950). Beginning with an absorbing biographical chapter, this critical survey of Dana Andrews' screen career features a complete filmography with synopses, reviews, behind-the-scenes anecdotes and insightful comments from Andrews and his coworkers. A chronological list of television, radio and theater credits is included.
Carpenter
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