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To read a crime novel today largely simulates the exercise of reading newspapers or watching the news. The speed and frequency with which today's bestselling works of crime fiction are produced allow them to mirror and dissect nearly contemporaneous socio-political events and conflicts. This collection examines this phenomenon and offers original, critical, essays on how national identity appears in international crime fiction in the age of populism and globalization. These essays address topics such as the array of competing nationalisms in Europe; Indian secularism versus Hindu communalism; the populist rhetoric tinged with misogyny or homophobia in the United States; racial, religious or ...
Relational Responses to Trauma in Twenty-First-Century French and Spanish Women's Writing offers new insight into what it means to write relational lives. It broadens the parameters of existing discussions in terms of geography as well as genre, drawing together two literatures whose prominence in life-writing theory to date could hardly be more different: while French women's writing has long been at the centre of international discussions of autobiography, the relative invisibility of Spanish women's writing remains striking. The dialogue that thus underpins this study, between diverse twenty-first-century case studies and broader approaches to life-writing, shines a light on what is gaine...
Gabriel García Márquez’s novel One Hundred Years of Solitude seemed destined for obscurity upon its publication in 1967. The little-known author, small publisher, magical style, and setting in a remote Caribbean village were hardly the usual ingredients for success in the literary marketplace. Yet today it ranks among the best-selling books of all time. Translated into dozens of languages, it continues to enter the lives of new readers around the world. How did One Hundred Years of Solitude achieve this unlikely success? And what does its trajectory tell us about how a work of art becomes a classic? Ascent to Glory is a groundbreaking study of One Hundred Years of Solitude, from the mome...
There is nothing more chilling than a mysterious murderer who is never seen, even by the cameras. After a strange succession of deaths at Helsinki tube stations, the police are baffled: no one has seen anything and the tapes from the CCTV show nothing. Detective Sergeant Timo Harjunpaa of the Helsinki Violent Crimes Unit has seen more than enough of the seamier side of human nature in his career, but the forces of evil have never before crossed his path in such an overwhelming fashion. It emerges that his adversary is a deluded but dangerous character living in an underground bunker in the middle of an uninhabited Helsinki hillside. Detective Sergeant Harjunpaa must now face his most terrifying case yet.
Amid the aroma of the sea and the Galician pines, a young saxophonist is found dead in his swanky flat overlooking the beach. The murder seems to have taken place after a sexual encounter with a lover: there are two glasses filled with gin in the living room, and the dead man, Luis Reigosa, is tied by the wrists to the headboard of the bed. But the way he was killed makes it impossible to obtain any more clues about his activities that night: his stomach, groin and thighs are horribly burned, and his genitals look hideously like a toasted cashew. The unusually cold-blooded and cruel murder is assigned to Leo Caldas, a disheartened police inspector still searching for his place in the world. The case unfolds between inviting nights at the jazz clubs and the tense, affected atmosphere of affluent Vigo.
This Palpitating World comprises two stories,placed in front of one another like mirrors. One,is set in first-century Rome and relates the rise,and fall of Mazuf, a homosexual Syrian scribe who,becomes a murderer and a renowned man of letters.,The second one is the confession of a present-day,American man named Laurence; at first it seems to,be about his sexual exploits during his student,days at Harvard, but we soon find that there is,more to the story. Laurence, a disaffected and,sophisticated narrator, is a murderer too..
Queer Rebels is a study of gay narrative writings published in Spain at the turn of the 20th century. The book scrutinises the ways in which the literary production of contemporary Spanish gay authors – José Luis de Juan, Luis G. Martín, Juan Gil-Albert, Juan Goytisolo, Eduardo Mendicutti, Luis Antonio de Villena and Álvaro Pombo – engages with homophobic and homophile discourses, as well as with the vernacular and international literary legacy. The first part revolves around the metaphor of a rebellious scribe who queers literary tradition by clandestinely weaving changes into copies of the books he makes. This subversive writing act, named ‘Mazuf’s gesture’ after the protagoni...
As in so many cities in the heat of growth, Breda, Spain, is home to a modest construction company that wants to take advantage of the booming times to construct a luxury housing-complex in the suburbs. Although between the business partners there are differences of opinion and fears about such an ambitious project, the expectation of the sumptuous benefits push them to go through with the scheme. Then suddenly one day, the corpse of one of the partners appears inside one of the newly constructed buildings. Detective Ricardo Cupido delves into a passionate investigation where the alibis matter less than the dark and desolate description of the human condition.
A biographical and bibliographical guide to current writers in all fields including poetry, fiction and nonfiction, journalism, drama, television and movies. Information is provided by the authors themselves or drawn from published interviews, feature stories, book reviews and other materials provided by the authors/publishers.
Amid the aroma of the sea and the Galician pines, a young saxophonist is found dead in his swanky flat overlooking the beach. The murder seems to have taken place after a sexual encounter with a lover: there are two glasses filled with gin in the living room, and the dead man, Luis Reigosa, is tied by the wrists to the headboard of the bed. But the way he was killed makes it impossible to obtain any more clues about his activities that night: his stomach, groin and thighs are horribly burned, and his genitals look hideously like a toasted cashew. The unusually cold-blooded and cruel murder is assigned to Leo Caldas, a disheartened police inspector still searching for his place in the world. The case unfolds between inviting nights at the jazz clubs and the tense, affected atmosphere of affluent Vigo.