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Previously considered a way-station on the road to Hegel, F.W.J. von Schelling is today enjoying a renaissance among Continental philosophers and others. These 14 essays bring Schelling in tune with such luminaries as Heidegger, Derrida, Bataille, Foucault, Deleuze, Levinas, and Irigaray and situate him squarely in the centre of current themes
In myths and legends, squids are portrayed as fearsome sea-monsters, lurking in the watery deeps waiting to devour humans. Even as modern science has tried to turn those monsters of the deep into unremarkable calamari, squids continue to dominate the nightmares of the Western imagination. Taking inspiration from early weird fiction writer H. P. Lovecraft, modern writers such as Jeff VanderMeer depict squids as the absolute Other of human civilization, while non-Western poets such as Daren Kamali depict squids as anything but threats. In Squid, Martin Wallen traces the many different ways humans have thought about and pictured this predatory mollusk: as guardians, harbingers of environmental collapse, or an untapped resource to be exploited. No matter how we have perceived them, squids have always gazed back at us, unblinking, from the dark.
In Swan Peter Young explores this animal's surprisingly complex natural history, as well as giving equal treatment to the long and rich role of the swan in human culture, from the Greek myth of Leda and the Swan to the bird’s portrayal in sculpture, furniture, and brand name logos.
In Shark, Dean Crawford explores the long relationship between shark and man, revealing that behind the fearsome caricature is a complex animal that deserves a thoughtful reconsideration.
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Planetary spaces such as the poles, the oceans, the atmosphere, and subterranean regions captured the British imperial imagination. Intangible, inhospitable, or inaccessible, these blank spaces—what Siobhan Carroll calls "atopias"—existed beyond the boundaries of known and inhabited places. The eighteenth century conceived of these geographic outliers as the natural limits of imperial expansion, but scientific and naval advances in the nineteenth century created new possibilities to know and control them. This development preoccupied British authors, who were accustomed to seeing atopic regions as otherworldly marvels in fantastical tales. Spaces that an empire could not colonize were sp...
The Poetics of Palliation argues that Romanticism developed richer literary therapies than its contemporary reception remembers. By reading Romantic writers against Georgian medical ethics, Poetics recovers their models of literature as comfort and sustenance, challenging a health humanities tradition that sees literary therapy primarily as cure.
Winner of the 2009 International Conference on Romanticism's Jean-Pierre Barricelli Award for the best book in Romanticism studies As the mental faculty that mediates between self and world, mind and body, the senses and the intellect, imagination is indispensable for modern models of subjectivity. From René Descartes's Meditations to the aesthetic and philosophical systems of the Romantic period, to think about the subject necessarily means to address the problem of imagination. In close readings of Descartes, Kant, Fichte, Hardenberg (Novalis) and Coleridge, and with a sustained return to the origins of the discourse about imagination in Greek antiquity, Alexander Schlutz demonstrates tha...
This book is the first to fully explore the fox as the object of both derision and fascination, from the forests of North America to the deserts of Africa to the Arctic tundra.
A tuneful natural and cultural history of this globally renowned songbird. The robin is a small bird with a distinctive ruddy breast, at once a British national treasure and a bird with a global reputation. In this superbly illustrated account, Helen F. Wilson looks at many aspects of the cherished robin, from its status as a harbinger of seasonal change and, in the United Kingdom, an icon of Christmas, to its place in fairy tales, environmental campaigns, and scientific discovery. In moving between cultural and natural histories, Robin asks wide-ranging questions, such as how did the robin’s name travel the world? Why is the robin so melancholy? Who was Cock Robin? And how has the history of the color red shaped the robin’s ambivalent associations and unusual origin stories?