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Nordic Orientalism
  • Language: en
  • Pages: 266

Nordic Orientalism

  • Categories: Art

Nordic Orientalism explores the appropriation of Oriental imagery within Danish and Norwegian nineteenth-century nation-building. The project queries Edward Said''s binary notion of Orientalism and posits a more complex model describing how European countries on the periphery ? Denmark and Norway ? imported Oriental imagery from France to position themselves, not against their colonial Other, but in relation to central European nations. Examining Nordic Orientalism across a century in the context of modernization, urbanization and democratization the study furthermore shows how the Romanticists? naive treatment of the Orient was challenged by increased contact with the "real" Orient.

Portrait of a Danish Conman
  • Language: en
  • Pages: 139

Portrait of a Danish Conman

Frantz Leander Hansen has written a brilliant book about Otto Stein (Martin Zerlang, University of Copenhagen, reviewing the Danish edition in Scandinavian Studies, University of Illinois Press, Vol. 92, No. 2). Jacob Paludan's Danish classic novel Jørgen Stein (1933) includes the subordinate character Otto Stein, a man about town in the roaring 1920s and a promising barrister. Involvement in small-time crime leads to large-scale confidence trickery which ends in decline, fall and suicide. This literary portrait of an epoch of deceit and fraud as a cultural phenomenon brings to the fore the economics and criminal psychology of the period. Otto Stein is viewed as an ultra-topical figure of o...

Isotopography
  • Language: en
  • Pages: 309

Isotopography

While the concept of place remains undertheorized in Kierkegaard research, this study argues that place is at the center of Kierkegaard’s thinking. The first part of the book shows that Kierkegaard’s notion of situatedness as being-placed in a socio-historical situation conditioned by a situation prior to situatedness points to a realist position and a flat ontology. Secondly, the book develops a detailed analysis of the ontological structure of the existential place (the place we ourselves are) and concrete places (the places where we are). Place opens a qualified space within bounds (the existence-sphere), an atmosphere of elemental attunement and attuned elementality. Finally, the book collects the dots from part one and two in a topological realist approach to Kierkegaard’s theology and three main definitions of God: God is love, God is that everything is possible, and God is the middle term. The book concludes that Kierkegaard’s existential topography reveals a realist position: where we are is never exhausted by being the place where we are.

The Urban Lifeworld
  • Language: en
  • Pages: 404

The Urban Lifeworld

  • Type: Book
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  • Published: 2005-06-29
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  • Publisher: Routledge

Urban conditions are crucial to our experience of modernity, and, as reflected by art, literature and popular culture, have influenced contemporary ideas of what urban life is about. The Urban Lifeworld contributes to our understanding of the cultural role of cities by offering new insight into the analysis of urban experience. Two exceptional cities, New York and Copenhagen, are the focus of this exploration of cultural representations of urban life, which investigates the contrasts between perceptions and formation of the urban lifeworld. Integrating sociological, aesthetic and anthropological approaches to urban questions, this collection of essays presents a new vision of the cityscape which will enrich both academic debate and public life.

Two Ages
  • Language: en
  • Pages: 304

Two Ages

For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.

Living Pictures, Missing Persons
  • Language: en
  • Pages: 349

Living Pictures, Missing Persons

  • Categories: Art

In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the wid...

The Anatomy of Inclusive Cities
  • Language: en
  • Pages: 198

The Anatomy of Inclusive Cities

Creating cities inclusive of immigrants in Southern Africa is both a balancing act and a protracted process that requires positive attitudes informed by accommodative institutional frameworks. This book revolves around two key contemporary issues that cities around the globe are trying to achieve – viz. the need to build inclusive cities and the need to accommodate immigrants. The search for building inclusive cities is an on-going challenge which most cities are grappling with. This challenge is complicated by the need to include immigrants who are always side-lined by policies of host countries. This book discusses the host–immigrant interface by providing a detailed insight of anchors...

Victorian Babylon
  • Language: en
  • Pages: 272

Victorian Babylon

"In this innovative look at nineteenth-century London, Lynda Nead offers a fresh account of modernity and metropolitan life. Taking a highly interdisciplinary approach, Nead charts the relationship between London's formation into a modern city in the 1860s and the emergence of new ways of producing and consuming visual culture."--BOOK JACKET.

The International Encyclopedia of Communication Theory and Philosophy, 4 Volume Set
  • Language: en
  • Pages: 2323

The International Encyclopedia of Communication Theory and Philosophy, 4 Volume Set

The International Encyclopedia of Communication Theory and Philosophy is the definitive single-source reference work on the subject, with state-of-the-art and in-depth scholarly reflection on key issues from leading international experts. It is available both online and in print. A state-of-the-art and in-depth scholarly reflection on the key issues raised by communication, covering the history, systematics, and practical potential of communication theory Articles by leading experts offer an unprecedented level of accuracy and balance Provides comprehensive, clear entries which are both cross-national and cross-disciplinary in nature The Encyclopedia presents a truly international perspective with authors and positions representing not just Europe and North America, but also Latin America and Asia Published both online and in print Part of The Wiley Blackwell-ICA International Encyclopedias of Communication series, published in conjunction with the International Communication Association. Online version available at www.wileyicaencyclopedia.com

Nordisk Films Kompagni 1906–1924
  • Language: en
  • Pages: 272

Nordisk Films Kompagni 1906–1924

This comprehensive study of the Danish film company demonstrates how it became one of the most important innovators of the silent era. Established in 1906, Nordisk Films Kompagni’s rise and fall is one of the most dramatic stories of the early film industry. Based on archival research, primarily in the company’s surviving business archives, this volume describes and analyzes how Nordisk Films became one of the leading players in the world market—and why the company failed to maintain this position. Isak Thorsen examines Nordisk Film as a business and organization, from its establishment in 1906 until 1924 when founder Ole Olsen stepped back. He covers a wide range of topics, including the competitive advantages Nordisk Film gained in reorganizing the production to multiple-reel films around 1910; the company’s highly efficient film production which anticipated the departmentalized organization of Hollywood; Nordisk Film’s aggressive expansion strategy in Germany, Central-Europe and Russia during the First World War; and the grand plans for taking control of UFA in association with the American Famous Players in the post-war years.