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Spaces of (Dis)location
Spaces of (Dis)location was a two–day interdisciplinary and international conference which took place on 24–25 May, 2012, at the University of Glasgow, UK, and was funded by the Graduate School of the University of Glasgow’s College of Arts. Over the two days of the conference, around 60 papers were delivered, and this volume aims to showcase some of the most engaging and innovative research which was presented. As national and cultural boundaries are blurred in our increasingly global society, the ideas of space and location – whether physical or metaphysical, real or imaginary – are evolving. This notion provided the stimulus for a conference that encouraged creativity and debate...
Visual Culture
How to think about what it means to look and see: a guide for navigating the complexities of visual culture. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see—color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West—somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume in the MIT Press Essential Knowledge series offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see—and what is at stake in doing so. Visual cul...
Art and Modernism in Socialist China
This edited volume will be the first book examining the art history of China’s socialist period from the perspective of modernism, modernity, and global interactions. The majority of chapters are based on newly available archival materials and fresh critical frameworks/concepts. By shifting the frame of interpretation from socialist realism to socialist modernity, this study reveals the plurality of the historical process of developing modernity in China, the autonomy of artistic agency, and the complexity of an art world conditioned, yet not completely confined, by its surrounding political and ideological apparatus. The unexpected global exchanges examined by many of the authors in this study and the divergent approaches, topics, and genres they present add new sources and insights to this research field, revealing an art history that is heterogeneous, pluralistic, and multi-layered. The book will be of interest to scholars working in art history, art and politics, and Chinese studies.
Arte Ambientale, Urban Space, and Participatory Art
Working in 1970s Italy, a group of artists—namely Ugo La Pietra, Maurizio Nannucci, Francesco Somaini, Mauro Staccioli, Franco Summa, and Franco Vaccari—sought new spaces to create and exhibit art. Looking beyond the gallery, they generated sculptural, conceptual, and participatory interventions, called Arte Ambientale (Environmental Art), situated in the city streets. Their experiments emerged at a time of cultural crisis, when fierce domestic terrorism aggravated an already fragile political situation. To confront the malaise, these artists embraced a position of artistic autonomy and social critique, democratically connecting the city's inhabitants through direct art practices.
Modernity for the Masses
A provocative examination of how the discourse and practice of modern architecture was transformed by its encounter with large populations and the volatile politics of twentieth-century Argentina.
Architectures of Colonialism
Fragen des kulturellen Erbes und unseres Umgangs damit sind nicht neutral. Ereignisse wie die Black Lives Matter-Bewegung und der Sturz von Denkmälern und Statuen zeigen, wie stark sich die koloniale Vergangenheit in unsere gebaute Umgebung eingeschrieben hat; zugleich prägt der Kolonialismus weiterhin kulturelles Gedächtnis und Geschichtsschreibung. Das fordert all jene, die sich mit der Geschichte von Architektur beschäftigen, dazu heraus, auch die eigene Positionalität zu reflektieren. Wessen Erbe sind die kolonialen Orte? Welche womöglich verdrängten Erinnerungen sind mit ihnen verknüpft? Wie lassen sich Archive und materielle Evidenz neu bewerten, um die Geschichten marginalisierter Personen und Gruppen sichtbar zu machen? Angesichts des globalen Rufs nach Entkolonialisierung bringt dieser Sammelband Archäologie, Architekturgeschichte und Heritage Studies zusammen, um historische Methoden zu erkunden und die Verflechtung unterschiedlicher Narrative an architektonischen Orten offenzulegen. Ein Beitrag zur aktuellen Debatte um Entkolonialisierung und Erinnerungskultur Eine interdisziplinäre Sicht auf Architektur und kulturelles Erbe Internationale Beiträger: innen
Museum Studies for a Post-Pandemic World
Museum Studies for a Post-Pandemic World demonstrates that digital literacy, creativity, and resilience, as the COVID-19 pandemic has so vividly illustrated, are now vital components of the classroom and of the curator’s toolbox. Museum studies students are increasingly asked to engage with new team dynamics and collaborative models, often relocated to the virtual world. Authored by academics, cultural heritage partners, students, and alumni, the chapters in this volume move beyond a consideration of the impact of digitisation to envision new strategies and pedagogies for fuller, more sustainable approaches to cultural literacy, exhibition, and visitor engagement. International case studie...
50 Feminist Art Manifestos
This anthology contains the original manifestos of 50 women artists/feminist groups/feminist protests. Introductory essay by Katy Deepwell, with notes on each manifesto. A print edition of this book is available from KT press. What is a manifesto? A political programme, a declaration, a definitive statement of belief. Neither institutional mission statement, nor religious dogma; neither a poem, nor a book. As a form of literature, manifestos occupy a specific place in the history of public discourse as a means to communicate radical ideas. Distributed as often ephemeral documents, as leaflets or pamphlets in political campaigns or as announcements of the formation of new parties or new avant...
Cultural Mobilities Between China and Italy
This book offers a critical analysis of global mobilities across China and Italy in history. In three periods in the twentieth century, new patterns of physical mobilities and cultural contact were established between the two countries which were either novel at the time of their emergence or impactful on subsequent periods. The first two chapters provide overviews of writings by Italians in China and by Chinese in Italy in the twentieth century. The remaining chapters cover: Republican China’s relationships with Italy and Italian Fascist colonialism in China during the 1920s–1930s; Italian travelers to China during the Cold War from the 1950s to the 1970s; migrations between China and Italy during the 2000s–2010s. In analyzing these cultural mobilities, this book opens a new line of inquiry in Chinese-Italian Cultural Studies, which has been dominated by historical study, and contributes a significant case study to the scholarship on global cultural mobilities.
Boston's Apollo
In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962) a young African American elevator attendant at Boston's Hotel Vendome. McKeller became the principal model for Sargent's murals in the new wing of the Boston's Museum of Fine Arts, among the painter's most ambitious works. Sargent's nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent's iconic American paintings. Essays offer the first biography of Thomas McKeller and a window into African America life in early 20th century Roxbury. They address the artist's sexuality, his models, and consider questions of race and gender.
