You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Buku ini merupakan edisi terbaru dari buku sebelumnya dengan judul yang sama. Bahasan buku mengenai fenomena dualitas yang senantiasa hadir dalam seni. Dimulai dari pembayangan bahwa hakekat seni itu adalah tubuh inti dan ruhnya. Tubuh inti (partikel) dan ruh (gelombang) itu berbeda, namun selalu ada bersama-sama, saling bertukar tempat, peran, dan fungsi. Mereka seperti dua sisi kepingan uang logam, saling melengkapi. Isi buku lebih padat, dengan pembenahan minor, dan karya seni yang ditampilkan sedikit berbeda. Edisi sekarang ini masih mengupas seni, karya seni, dan aktivitas seni yang selalu berdimensi material/immaterial, atau virtual/aktual. Tugas orang kreatif itu hanyalah mengubah yang virtual (ide) menjadi aktual, atau sebaliknya. Jadi, hakekat berkesenian itu adalah transubstantiate ide yang tadinya kecil/samar-samar/intangible menjadi karya yang menarik, berdampak, dan menginspirasi perubahan.
This wide-ranging collection of essays examines the arts of Southeast Asia in context. Contributors study the creation, use, and local significance of works of art, illuminating the many complex links between an object's aesthetic qualities and its origins in a community.
This book analyses the intersections between contemporary art and environmental activism in Indonesia. Exploring how the arts have promoted ecological awareness from the late 1960s to the early 2020s, the book shows how the arts have contributed to societal change and public and political responses to environmental crises. This period covers Indonesia’s rapid urban development under the totalitarian New Order regime (1967–1998) as well as the enhanced freedom of expression, alternative development models, and environmental problems under the democratic governments since 1998. The book applies the concept of ‘artivism’ to refer to the vital role of art in activism. It seeks to identif...
這本書主要是描述有關經常出現於藝術中的二元性現象。本著作以藝術的核心體和它的靈魂為本質作為臆測的初始;即便核心體(粒子)及其精神(波)不同,但卻是相互依存,且相互交換位置、角色與功能,它們就像一個硬幣的兩面體,相輔相成、相互補充。 藝術、藝術品和藝術活動總是有其物質/非物質,或虛擬/實際之層面,而創作者的任務僅是將虛擬(想法)轉換為實際層面,相反亦然;因此,藝術的本質是將小/模糊/無形的想法轉化為吸引、影響和啟發變化的作品。
This book provides a conceptual and global overview of the field of Surrealist studies. Methodologically, the companion considers Surrealism’s many achievements, but also its historical shortcomings, to illuminate its connections to the historical and cultural moment(s) from which it originated and to assess both the ways in which it still shapes our world in inspiring ways and the ways in which it might appear problematic as we look back at it from a twenty-first-century vantage point. Contributions from experienced scholars will enable professors to teach the subject more broadly, by opening their eyes to aspects of the field that are on the margins of their expertise, and it will enable scholars to identify new areas of study in their own work, by indicating lines of research at a tangent to their own. The companion will reflect the interdisciplinarity of Surrealism by incorporating discussions pertaining to the visual arts, as well as literature, film, and political and intellectual history.
A seminal publication focusing on the modern art of Japan, China, India, Thailand, and Indonesia. A significant and challenging contribution to the discussion of the advent of modernism in Asia.
The many feminisms of the Asian world are introduced in this series of essays on contemporary women artists. Prominent women painters, sculptors, installation artists and printmakers are profiled with over 100 colour illustrations.
Under the New Order regime (1967-98), the Indonesian military sought to monopolise the production of official history and control its contents. The goal was to validate the political role of the armed forces, condemn communism and promote military values. A detailed examination of the Indonesian military's image-making under Suharto.
Buku ini disusun sebagai media edukasi bagi para seniman-seniman khususnya seniman grafis, dan UMUM yang mengambil teknik cetak dalam dalam khususnya Drypoint sebagai media ekspresi dalam berkarya seni rupa khususnya seni grafis. Buku ini membahas seluk beluk teknik cetak dalam (drypoint) dalam karya-karya seni grafis yang menggunakan teknik cetak dalam (drypoint) dengan disertai contoh-contoh karya-karya agar memudahkan dalam mempelajarinya untuk yang ditulis penulis dari Indonesia, sedangkan yang ditulis penulis Malaysia lebih ke perkembangan dan Sejarah cetak dalam di Malaysia.