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This volume offers a close reading of the historical books of I and II Kings, concentrating on not only issues in the history of Israel but also the literary techniques of storytelling used in these books.
Biblical Studies Biblical texts create worlds of meaning, and invite readers to enter them. When readers enter such textual worlds, which are often strange and complex, they are confronted with theological claims. With this in mind, the purpose of the Interpreting Biblical Texts series is to help serious readers in their experience of reading and interpreting by providing guides for their journeys into textual worlds. The controlling perspective is expressed in the operative word of the title--interpreting. The primary focus of the series is not so much on the world behind the texts or out of which the texts have arisen as on the worlds created by the texts in their engagement with readers. ...
"Though 'biblical theology' has long been considered a strictly Christian enterprise, Marvin A. Sweeney here proposes a Jewish theology of the Hebrew Bible, based on the importance of Tanak as the foundation of Judaism and organized around the major components: Torah, Nevi'im (Prophets), and Kethuvim (Writings). Sweeney finds the structuring themes of Jewish life: the constitution of the nation Israel in relation to God; the disruption of that ideal, documented by the Prophets; and the reconstitution of the nation around the Second Temple in the Writings. Throughout he is attentive to tensions within and among the texts and the dialogical character of Israel's sacred heritage" -- Publisher description.
Isaiah 1 -39, by Marvin A. Sweeney, is volume XVI of The Forms of the Old Testament Literature, a series that aims to present a form- critical analysis of every book and each unit in the Hebrew Bible. Fundamentally exegetical, the FOTL volumes examine the structure, genre, setting, and intention of the biblical literature in question. They also study the history behind the form-critical discussion of the material, attempt to bring consistency to the terminology for the genres and formulas of the biblical literature, and expose the exegetical procedure so as to enable students and pastors to engage in their own anlysis and interpretation of the Old Testament texts.
This volume features an impressive array of leading biblical scholars and presents an illuminating and lively cross-section of this traditional field of study. Treating core topics and changing methodologies within twenty-three comprehensive chapters, this Companion provides an outstanding introduction to the historical origins and literary character of the canonical literature.
The Book of Zephaniah poses a full range of interpretive and hermenutical issues for the modern reader. Sweeney's keen reading of this small, prophetic book opens new doors for Hebrew Bible research. He situates the reading of Zephaniah in the early sixth century b.c.e. rather than the late seventh century b.c.e. Sweeney's interpretation pays close attention to the often subtle differences between the Masoretic Text, Septuagint, Dead Sea Scrolls, Peshitta, and targums. His methodology includes form criticism, tradition history, and social history. Key Features: Critical and historical commentary on this prophetic book of the Hebrew Bible Strong text-critical analysis Locates book in Israel's history and Ancient Near Eastern context
Isaiah 40–66, by Marvin A. Sweeney, is the nineteenth published volume in The Forms of Old Testament Literature (FOTL), a series that provides a form-critical analysis of the books and units in the Hebrew Bible. Building on his earlier FOTL volume Isaiah 1–39, Sweeney here presents his analysis of Isaiah 40–66 within both the synchronic literary form of Isaiah and the diachronic history of its composition. In keeping with the methodology and goals of the FOTL series, Isaiah 40–66 offers detailed examinations of the formal structure of the chapters covered; the genres that function within these chapters; the literary, historical, and social settings of the text; and the overall interpretation of Isaiah 40–66 and its constituent textual units. Including a glossary of the genres and formulas discussed, this commentary will be a useful resource to anyone wishing to engage more deeply with this central book in the Hebrew Bible.
This two-volume set is a literary commentary of the book of the Twelve Prophets. Building upon the author's previous work on the structure and literary coherence of the book of Isaiah, it attempts to read the book of the Twelve as a distinctive literary work with its own structure, themes and theological or ideological perspective. In addition, it treats each of the twelve minor prophets as a literary entity unto itself as well as a component unity of the larger book of the Twelve.
The approach to biblical interpretation known as "form criticism" has changed markedly at the beginning of the twenty-first century. Front-ranking experts here survey the contemporary landscape of form criticism and explore significant patterns and trends now emerging in the field. Together these essays point to the continuing dynamism and vitality of form-critical theory as a significant tool for reading the Bible. Contributors: Bob Becking Ehud Ben Zvi Erhard Blum Sue Boorer Martin J. Buss Antony F. Campbell Michael H. Floyd Hyun Chul Paul Kim Won Lee Tremper Longman III Roy F. Melugin Martti Nissinen David L. Petersen Margaret S. Odell Thomas Romer Martin Rosel Marvin A. Sweeney Patricia K. Tull Raymond C. Van Leeuwen
In this new volume in the Reading the Old Testament commentary series, biblical scholar Marvin A. Sweeney considers one of the most interesting and compelling books of the Hebrew Bible. Ezekiel is simultaneously one of the Bible's most difficult and perplexing books as it presents the visions and oracles of Ezekiel, a Judean priest and prophet exiled to Babylonia in the sixth century BCE. The book of Ezekiel points to the return of YHWH to the holy temple at the center of a reconstituted Israel and creation at large. As such, the book of Ezekiel portrays the purging of Jerusalem, the Temple, and the people, to reconstitute them as part of a new creation at the conclusion of the book. With Je...