You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Marvin Gaye Chetwynd is known for her anarchic performances that draw widely from both high and low cultural sources, such as 'Giotto' and 'Star Wars'. In the spring of 2014, Sadie Coles gallery in London played host to a show of Chetwynd's series of 'bat paintings' created in Tuscany whilst on a residency. These uncanny images feature rustic Italian landscapes swarming with bats. This artist's book is published on the occasion of the exhibition at Sadie Coles, London.
There exists a series of contemporary artists who continually defy the traditional role of the artist/author, including Art & Language, Guerrilla Girls, Bob and Roberta Smith, Marvin Gaye Chetwynd and Lucky PDF. In Death of the Artist, Nicola McCartney explores their work and uses previously unpublished interviews to provoke a vital and nuanced discussion about contemporary artistic authorship. How do emerging artists navigate intellectual property or work collectively and share the recognition? How might a pseudonym aid 'artivism'? Most strikingly, she demonstrates how an alternative identity can challenge the art market and is symptomatic of greater cultural and political rebellion. As such, this book exposes the art world's financially incentivised infrastructures, but also examines how they might be reshaped from within. In an age of cuts to arts funding and forced self-promotion, this offers an important analysis of the pressing need for the artistic community to construct new ways to reinvent itself and incite fresh responses to its work.
The grotesque - the exagggerated, the deformed, the monstrous - has been a well-considered subject for students of comparative literature and art. In a major addition to the literature of art, cultural criticism and feminist studies, Mary Russo re-examines the grotesque in the light of gender, exploring the works of Angela Carter David Cronenberg Bahktin Kristeva Freud Zizek. Mary Russo looks at the portrayal of the grotesque in Western culture and by combining the iconographic and the historical, locates the role of the woman's body in the discourse of the grotesque.
Unpacking the history of performance art and celebrating the work of contemporary practitioners--a must-read for both art lovers and students alike Stunningly beautiful, deeply puzzling, powerfully moving, or intensely unsettling--performance art can evoke a wide variety of responses. In this important survey, Catherine Wood, one of the world's leading curators and writers in this field, provides the broadest and most up-to-date insight into the subject yet published. Wood proposes performance not as a genre separate from object-making but as a medium that has profoundly influenced the shape of contemporary art. From the spectacular forms of intimacy performed by Marina Abramović to the pai...
Examines the original and fascinating journey of discovery into the influence of the ocean in cultural history. Includes work by a wide range of artists and writers and accompanies a UK touring exhibition.
None
Key texts on beauty and its revival in contemporary art.
'A novel of heartbreak told with intellectual rigor. It gripped me from first page to last. Fantastic!' Alice Sebold, the author of The Lovely Bones When Ester Nilsson meets the actor Olof Sten, she falls madly in love. Olof makes no secret of being married, but he and Ester nevertheless start to meet regularly and begin to conduct a strange dance of courtship. Olof insists he doesn't plan to leave his wife, but he doesn't object to this new situation either . . . it’s far too much fun. Ester, on the other hand, is convinced that things might change. But as their relationship continues over repeated summers of distance, and winters of heated meetings in bars, she is forced to realize the truth: Ester Nilsson has become a mistress. To read Acts of Infidelity is to dive inside the mind of a brilliant, infuriating friend – Ester's and Olof’s entanglements and arguments are the stuff of relationship nightmares. Cutting, often cruel, and written with razor-sharp humour, Lena Andersson's novel is clever, painful, maddening, but most of all perfectly, precisely true.
Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan's many 'old-elderly'; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe promted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson - born frail and prone to sickness - might not survive to adulthood. Day after day, it takes all of Yoshiro's sagacity to keep Mumei alive. As hopes for Japan's youngest generation fade, a secretive organisation embarks on an audacious plan to find a cure - might Yoshiro's great-grandson be the key to saving the last children of Tokyo?