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This volume was first published by Inter-Disciplinary Press in 2015. The contributors to this volume highlight the immanence of the pains of imprisonment, documentign their evolution as well as their differing expressions and manifestations with regards to a diversity of prisoner groups and national prison systems, and explore ways of humanising the prison experience and normalising prison life.
Creating Yoknapatawpha is a study of the crucial interplay of reading and writing processes involved in constructing the textual environment of William Faulkner’s work, and the nature and significance of the world created by these many forces. Yoknapatawpha County, the author contends, is the product of these mainly mental processes of construction at all levels, and it is in the similar and even analogous situations that exist between readers and writers of and in the fiction that the dynamic of Faulkner’s work is most keenly discovered. The book discusses novels from throughout Faulkner’s career, and uses elements of Bakhtinian and reader-response theory, among others, to explore its subject, eschewing the limited focus both of strictly formal and more content-oriented approaches, and demonstrating the need for readers and writers to work together, whether harmoniously or otherwise. By examining the fictive nature of Yoknapatawpha, and the requirement for everybody to participate fully in its creation, we can establish useful bases for investigations into the ‘real world’ issues with which Faulkner is so concerned.
Critical Theory Today is the essential introduction to contemporary criticial theory. It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness. This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.
Interpretaciones: Experimental Criticism and the Metrics of Latin American Literature examines readers' reactions to short texts during crucial moments of the reading experience. These readers are students at universities in the US and several Spanish-speaking countries. Far from reducing the reading experience to a series of numbers, the data-driven approaches in the study instead underline the startling complexity and elusiveness of seemingly basic literary processes and concepts, including those pertaining to authorship, titles, conclusions, and so on. Simultaneously, Interpretaciones suggests alternative methodologies for gaining new and unexpected knowledge about literary texts themselves, whether from Latin America or elsewhere. Interpretaciones is an ambitious, interdisciplinary project geared toward those interested in literary theory, Latin American and Caribbean literature, and the nexus between literature and science.
As I Lay Dying; Light in August; The Sound and the Fury; Absalom, Absalom!; "The Bear"; and many others.
This book explores and illustrates the individuating characteristics - and the interrelationships - of love, poetry, and literary immortality (such immortality, that is, as writers may win, in the sense of being long remembered and appreciated by future readers). From the book's numerous quotations of glittering literary passages, it is evident that love is often expressed in poetry, and that many authors (especially those writing about love) have expressed the winsome hope that their works would be greatly cherished by later generations. Part One of the book illustrates by passages of matchless poetry the joys and perils of love and other outstanding features of love. Part Two outlines the history of expressions by writers in many cultures of their confidence or hope that their works will make them immortal.
From 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The journal has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
A shepherdess who raced to the manger...a bride who saw Jesus turn water into wine...these are among the more than twenty rich imaginings of women hinted at in the Gospels, whose stories will enthrall and inspire.