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A bracingly immediate memoir by a young man coming of age during the Syrian war, an intimate lens on the century’s bloodiest conflict, and a profound meditation on kinship, home, and freedom. A NEW YORK TIMES NOTABLE BOOK • LONGLISTED FOR THE NATIONAL BOOK AWARD • “This powerful memoir, illuminated with Molly Crabapple’s extraordinary art, provides a rare lens through which we can see a region in deadly conflict.”—Bryan Stevenson, author of Just Mercy In 2011, Marwan Hisham and his two friends—fellow working-class college students Nael and Tareq—joined the first protests of the Arab Spring in Syria, in response to a recent massacre. Arm-in-arm they marched, poured Coca-Cola...
Publication to accompany the exhibition Molly Crabapple & Marwan Hisham: Syria in Ink at the Cantor Fitzgerald Gallery, Haverford College March 22-April 26, 2019
The years 738-745/121-127, which this volume covers, saw the outbreak in Syria of savage internecine struggles between prominent members of the Umayyad family, which had ruled the Islamic world since 661/41. After the death of the caliph Hishām in 743-/125, the process of decay at the center of the Umayyad power--the ruling family itself--was swift and devastating. Three Umayyad caliphs (al-Walīd II, Yazīd III, and Ibrahim) followed Hishām within little more than a year, and the subsequent intervention of their distant cousin Marwān b. Muhammad (the future Marwān II) could not arrest the forces of opposition that were shortly to culminate in the ʿAbbāsid Revolution of 750/132. In thi...
Art was my dearest friend. To draw was trouble and safety, adventure and freedom. In that four-cornered kingdom of paper, I lived as I pleased. This is the story of a girl and her sketchbook. In language that is fresh, visceral, and deeply moving—and illustrations that are irreverent and gorgeous—here is a memoir that will change the way you think about art, sex, politics, and survival in our times. From a young age, Molly Crabapple had the eye of an artist and the spirit of a radical. After a restless childhood on New York's Long Island, she left America to see Europe and the Near East, a young artist plunging into unfamiliar cultures, notebook always in hand, drawing what she observed....
A well-known novelist and journalist from the coastal city of Jableh, Samar Yazbek witnessed the beginning four months of the uprising first-hand and actively participated in a variety of public actions and budding social movements. Throughout this period she kept a diary of personal reflections on, and observations of, this historic time. Because of the outspoken views she published in print and online, Yazbek quickly attracted the attention and fury of the regime, vicious rumours started to spread about her disloyalty to the homeland and the Alawite community to which she belongs. The lyrical narrative describes her struggle to protect herself and her young daughter, even as her activism p...
Freedom of press is a cornerstone of our democratic political system. But reporters, pundits, and editors face intense pressure to serve as propagandists rather than journalists in their coverage of U.S. foreign policy. Too many members of the news media seem unable to make that distinction and play their proper role as watchdogs for the American people regarding possible government incompetence or misconduct. Since World War II, America has become a garrison state―always prepared for armed conflict—and the conflating of journalism and propaganda has grown worse, even in situations that do not involve actual combat for the United States. That behavior increasingly constrains and distorts...
Alia Malek weaves a lyrical narrative around the history of her family's apartment building in the heart of Damascus, the many lives that crossed in the stairwell, and how the fates of her neighbors reflect the fate of her country. Reading Group Guide Included At the Arab Spring's hopeful start, Alia Malek returned to Damascus to reclaim her grandmother's apartment, which had been lost to her family since Hafez al-Assad came to power in 1970. Its loss was central to her parent's decision to make their lives in America. In chronicling the people who lived in the Tahaan building, past and present, Alia portrays the Syrians--the Muslims, Christians, Jews, Armenians, and Kurds--who worked, loved...
This book analyzes how reality television fuelled heated polemics over cultural authenticity, gender relations, and political participation in the Middle East.
When Hurricane María made landfall in Puerto Rico in September 2017, it left no part of the archipelago unscathed. The hurricane triggered floods and mudslides, washed out roads, destroyed tens of thousands of homes, farms, and businesses, caused the largest blackout in US history, knocked out communications, led to widespread food, drinking water, and gasoline shortages, and caused thousands of deaths. The seventeen oral histories collected in Mi María: Surviving the Storm share stories of surviving the storm and its long aftermath as people waited for relief and aid that rarely arrived. Zaira and her husband floated on a patched air mattress for sixteen hours while floodwaters rose aroun...
Documents in graphic novel format the experiences of Syrian refugees housed in camps in Iraqi Kurdistan, Greece, France, Germany, Switzerland, and England. Based on interviews and photographs by the author during his work as Communication Officer for the organization Doctors Without Borders.