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Coming Home to Roost
Elliot is on the run from a situation that's just too big to handle. Sooner or later, it's going to catch up with him. 'You’re seventeen, left school, scarred for life,’ Dad said, pointing at Elliot’s tattoo, ‘and living off us like a child.’ Elliot’s in need of a fresh start, so he’s dispatched to a new city to work as an apprentice electrician. His boss, Arnie, is an ex-naval officer whose bad temper and frequent advice don’t make for easy living — but Elliot’s out of options. Elliot is just settling into some sort of routine when a disturbing rumour surfaces about his ex-girlfriend, Lena. As Lena tries to track him down, Elliot dives for cover. But a problem this big only attracts more problems, and, after a shocking workplace accident, they’re all going to catch up with him at once. The question is, will Elliot come out of hiding and face them head on? Coming Home to Roost is a fast-paced, bighearted novel about an age-old situation, from the award-winning author of Snakes and Ladders.
Snakes and Ladders
Finn’s druggie Dad is on trial for manslaughter, and so Finn is sent away to an exclusive boarding school to remove him from the small-town gossip machine. At first he feels a bit like a fish out of water, but soon makes some good friends, and even scores with the much-lusted-after Mia, who plays in the symphonic band with him. However there is someone who knows Finn’s secret … Blackmail and lies … will Finn ever face the truth? It’s not until disaster befalls one of his friends at an illicit after-ball party that Finn learns what is most important in life.
Fantastic Mr Bean
"When Lachie's teacher calls for auditions for the class production of Fantastic Mr Fox, Lachie is keen to try out for the part of Mr Fox. However, he soon realises that being an actor involves more than just saying the lines, and that sometimes you don't have to be the lead to be the star"--Back cover.
The Tomo
"Phil, and his father's beloved heading dog, Blue, have to spend the Christmas break working on a sheep station while Phil's dad undergoes out-of-town, cancer treatment. The station manager, Chopper, isn't happy having a teenager in his care and certainly not a sheepdog that doesn't understand his signals. Things start to improve for Phil when Chopper's step-daughter, Emara arrives back from holiday, but a wayward ram and a poor decision plummets both boy and dog into danger. Phil will need all the strength he's got to get out alive"--Back cover of print version.
Sticking with Pigs
Uncle Jeremy has been helping the family out for a while now, by dropping off meat he¿s shot. The offer to go hunting sounds great to fourteen-year-old Wolf ¿ a chance to get away from the family stress. But this hunting trip proves to be more than he bargained for.
Spearo
Sean has emigrated to New Zealand with his mother from South Africa after the death of his father. He is finding it hard to fit in at school, cope with his grief and his homesickness. He becomes mates with a boy in his class, Mason, who is a mad keen spearo and gradually becomes involved with his family. He learns all about free diving and spear fishing and competes with the family in spear fishing competitions. One accident and he is thrust into the front line of the competition - it is all up to him.Mary-anne Scott lives in Napier. All her previous titles have been shortlisted for the YA section of the Children's Book Awards: Snakes and Ladders (Scholastic); Coming Home to Roost (Penguin) and Sticking with Pigs (One Tree House).
Never Ask Permission
Some cities, through hardship or glory or a combination of both, produce extraordinary women. Richmond in the early twentieth century, dominated by its prominent families and still haunted by the ghosts of its Confederate past, produced a galaxy of such characters, including Ellen Glasgow, Mary Cooke Branch Munford, and Lila Meade Valentine. Elisabeth Scott Bocock, Victorian in values but modern in outlook, carried on this tradition with her unique combination of family wealth and connections, boundless energy, eccentricity, and visionary zeal. Her daughter Mary Buford Hitz's candid memoir reveals the pleasures and frustrations of growing up with a woman who expected so much from her childre...
Grandpa's Slippers
All weekend long Grandma tries to dispose of Grandpa's tatty old slippers but he refuses to part with them.
Botanical Sketchbook
This is the story of one woman's journey from amateur painter to botanical artist, told through the sketchbooks and paintings she produced for the Distance Learning Diploma Course run by the Society of Botanical Artists. Packed with advice and tips, this book will serve as a guide and inspiration to anyone wanting to embark on life as a botanical artist. This book is both a showcase of Mary Ann Scott's work and a record of her achievements, including first-hand accounts of the joys and challenges she faced as she progressed. It contains work from every assignment she undertook, from her first attempts at drawing a tulip to the triumphant paintings she made for her diploma portfolio. Along the way are delicate floral compositions, juicy fruit and vegetables, botanical dissections, and her adventures out in the field. Margaret Stevens's comments on each assignments are also included, giving an insight into the assessment process and an all-round view of Mary Ann's successes and (very rare) failures. The book ends with a glorious selection of Mary Ann's ongoing work as a botanical artist.
The Authority Gap
*A WATERSTONES 'BEST POLITICAL BOOK OF THE YEAR'* *A TIMES 'BEST PHILOSOPHY AND IDEAS' BOOK OF 2021* *A GUARDIAN 'BEST POLITICS BOOKS OF THE YEAR'* 'A brilliant manifesto explaining why women are still so underestimated and overlooked in today's world, but how we can also be hopeful for change' - Philippa Perry 'An impassioned, meticulously argued and optimistic call to arms for anyone who cares about creating a fairer society' - Observer __________ Imagine living in a world in which you were routinely patronised by women. Imagine having your views ignored or your expertise frequently challenged by them. Imagine people always addressing the woman you are with before you. Now imagine a world ...
