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Theater in America
Though expensive, this account gives an excellent history and a stunning collection of photographs.
Mielziner
Jo Mielziner (1901-1976) was an acclaimed scenic designer of the Americanheatre. Over five decades his career spanned the flowering of the modernheatre in the USA, and he designed many of its most famous productions,ncluding "A Streetcar Named Desire", "Death of a Salesman", "Guys and Dolls"nd "Carousel". He worked with a roster of great playwrights, directors androducers on a staggering total of 260 shows, many of them theatricalremieres, but also including ballets, operas and motion pictures. Heioneered many concepts of design - such as the capturing of a visualetaphor for the production -that are taken for granted today. His influenceor succeeding generations has been enormous. This study covers his life andork and is illustrated with sketches and fully-rendered designs.
The Cambridge History of American Theatre
The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
Star Wars
"Star Wars(r) has captured the hearts and imaginations of millions and millions of people like no other story of our time. This official companion volume to the landmark exhibit at the Smithsonian Institution's National Air and Space Museum explores the mythological roots of the "Star Wars saga, a story that will continue to unfold into the next millenium. Written by the exhibit's curator and illustrated with hundreds of photographs, drawings and images, "Star Wars(r): The Magic of Myth illuminates this modern tale of the ageless and mythic battle of good versus evil.
The Use of Force and International Law
Newly revised, this textbook provides an authoritative conceptual and practical overview of international law governing the resort to force. Following an introductory chapter, with a section on the key issues in identifying the law and actual and potential changes to it, the book addresses the breadth and scope of the prohibition of the threat or use of force and the meaning of 'force' as the focus of this. The book proceeds to address the use of force through the United Nations and regional organisations, the use of force in peacekeeping operations, the right of self-defence and the customary limitations upon this right, the controversial right of humanitarian intervention, and forcible interventions in civil conflicts. Updated to include greater focus on aspects such as cyber operations, the threat of force, and the 'human element' to the use force, as well as the inclusion of recent developments such as the 2022 Russian invasion of Ukraine, it seeks to address the contemporary legal framework through the prism of contemporary challenges that it currently faces.
Coal and Culture
A critical appreciation of the opera house in the coal-mining region of Appalachia from the mid 1860s to the early 1930s, Coal and Culture demonstrates that these were multipurpose facilities that were used for traveling theater, concerts, religious events, lectures, commencements, boxing matches, benefits, union meetings, and - if the auditorium had a flat floor - skating and basketball.
What Is Lighting Design?
What Is Lighting Design?: A Genealogy of People and Ideas explains what lighting design is by looking at the history of ideas that are a part of this craft and how those ideas developed. Lighting design began in the West with the Renaissance, and each historical period since then has modified how and why light is used in performance, the methods for producing light, and the consensus around what its purpose is. Exploring each lighting design era and the basic components of lighting design, the book discusses how the central ideas of this craft developed over the past 500 years, what today’s lighting designers are concerned with, and how lighting design contributes to performances. This book is designed as a main course text for History of Lighting Design university courses and a supplementary text for and Introduction to Lighting Design, Stagecraft, and Scenography courses. It will also be of interest to directors, choreographers, and working lighting designers who wish to explore the history and meaning of their craft.
